Dixit Dominus, HWV 232: VIIa. Judicabit
George Frideric Handel, Musica Antiqua Latina, Giordano Antonelli
Sacred Handel - Music for the Carmelite Vespers
2:11 January 24, 2020
BPM
112
Key
F Minor
Camelot
4A

Embed

Share Link

Dixit Dominus, HWV 232: VIIa. Judicabit - George Frideric Handel, Musica Antiqua Latina, Giordano Antonelli Information

Acousticness
99%
Danceability
38%
Energy
2%
Instrumentalness
0%
Liveness
22%
Loudness
60%
Speechiness
4%
Valence
23%
Popularity
Loudness
-24.149 dB

Summary

George Frideric Handel, Musica Antiqua Latina, Giordano Antonelli's 'Dixit Dominus, HWV 232: VIIa. Judicabit' came out on January 24, 2020. The duration of Dixit Dominus, HWV 232: VIIa. Judicabit is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Dixit Dominus, HWV 232: VIIa. Judicabit's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 42 in the song's album "Sacred Handel - Music for the Carmelite Vespers". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Germany. In terms of popularity, Dixit Dominus, HWV 232: VIIa. Judicabit is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Dixit Dominus, HWV 232: VIIa. Judicabit BPM

With Dixit Dominus, HWV 232: VIIa. Judicabit by George Frideric Handel, Musica Antiqua Latina, Giordano Antonelli having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.

Dixit Dominus, HWV 232: VIIa. Judicabit Key

This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Symphony in C Major, Op. 1, No. 6, (Callen 6): I. Allegro by Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald ArmstrongSymphony in C Major, Op. 1, No. 6, (Callen 6): I. AllegroFranz Ignaz Beck, New Zealand Chamber Orchestra, Donald ArmstrongG Major29B143 BPM
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro by Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio VivaldiConcerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. AllegroCologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio VivaldiB Minor310A123 BPM
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau by Carl Friedrich Abel, Elinor Frey, Lorenzo GhielmiSonata for violoncello and basso continuo in G Major, WKO 147: III. RondeauCarl Friedrich Abel, Elinor Frey, Lorenzo GhielmiF♯ Major22B147 BPM
Orfeo ed Euridice, Act II Scene 2: Ballet Music, Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff)Wilhelm Kempff, Christoph Willibald Gluck, Idil BiretF Major07B81 BPM
Concerto for Strings in A Minor, RV 161: I. Allegro by Antonio Vivaldi, Accademia I Filarmonici, Alberto MartiniConcerto for Strings in A Minor, RV 161: I. AllegroAntonio Vivaldi, Accademia I Filarmonici, Alberto MartiniB♭ Major56B124 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) by Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the FieldsHaydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten)Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the FieldsC Major18B68 BPM
Abdelazar Suite, Z. 570: II. Rondeau by Henry Purcell, Camerata Nordica, Terje TonnesenAbdelazar Suite, Z. 570: II. RondeauHenry Purcell, Camerata Nordica, Terje TonnesenA Major011B84 BPM
Overture (Suite) In D Major, TWV 55:D15: III. Harlequinade by Cologne Chamber Orchestra, Georg Philipp TelemannOverture (Suite) In D Major, TWV 55:D15: III. HarlequinadeCologne Chamber Orchestra, Georg Philipp TelemannD Major310B135 BPM
Symphony No. 3 in C Minor, Op. 78 Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegroCamille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles DutoitG Major39B150 BPM
Purcell: Dido and Aeneas, Z. 626: Overture by Henry Purcell, Emmanuelle Haïm, Le Concert d'AstréePurcell: Dido and Aeneas, Z. 626: OvertureHenry Purcell, Emmanuelle Haïm, Le Concert d'AstréeB Minor310A100 BPM
ISRC
DEE471900688
Label
L-M Records/RCA Records

Section: 0.7486720085144043

End: 0.7554066181182861