- BPM
- 98
- Key
- E♭ Major
- Camelot
- 5B
Messiah, HWV 56 / Pt. 3: Worthy Is The Lamb - George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis Information
- Acousticness
- 98%
- Danceability
- 20%
- Energy
- 16%
- Instrumentalness
- 5%
- Liveness
- 8%
- Loudness
- 63%
- Speechiness
- 4%
- Valence
- 19%
- Popularity
- 13%
- Loudness
- -22.221 dB
Summary
"Messiah, HWV 56 / Pt. 3: Worthy Is The Lamb" by George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis was released on January 1, 2013. Since Messiah, HWV 56 / Pt. 3: Worthy Is The Lamb is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 49 in the song's album "The Messiah (Platinum Edition)". In this album, this song's track order is #26. Furthermore, we believe that the track originated from United States. In terms of popularity, Messiah, HWV 56 / Pt. 3: Worthy Is The Lamb is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Messiah, HWV 56 / Pt. 3: Worthy Is The Lamb BPM
With Messiah, HWV 56 / Pt. 3: Worthy Is The Lamb by George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Messiah, HWV 56 / Pt. 3: Worthy Is The Lamb Key
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Messiah, HWV 56 / Pt. 2: But Thou Didst Not Leave His Soul In Hell | George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Philip Langridge | A Major | 3 | 11B | 73 BPM | |
 | XXXVI. Thou shalt break them with a rod of iron | London Philharmonic Orchestra | C Major | 3 | 8B | 102 BPM | |
 | Gounod: Ave Maria | Kiri Te Kanawa, Julius Rudel, Utah Symphony Orchestra | F♯ Major | 1 | 2B | 83 BPM | |
 | Once in Royal David's City | Henry Gauntlet, Choir of King's College, Cambridge, Stephen Cleobury, Guy Johnston, David Goode | G Major | 1 | 9B | 79 BPM | |
 | A Prayer of Saint Patrick | John Rutter, The Cambridge Singers | E♭ Major | 1 | 5B | 114 BPM | |
 | Amazing Grace (arr. J. Rutter) | John Rutter, Traditional, The Cambridge Singers, Thelma Owen | B Major | 1 | 1B | 167 BPM | |
 | Messiah / Part 2: 42. Chorus: "Hallelujah" | George Frideric Handel, Vienna Boys' Choir, Chorus Viennensis, Wiener Symphoniker, Uwe Christian Harrer, Michael G. Gormley | D Major | 2 | 10B | 97 BPM | |
 | Sussex Carol (On Christmas Night) | Choir of King's College, Cambridge, Sir David Willcocks | G Major | 2 | 9B | 113 BPM | |
 | Vivaldi: Gloria in D Major, RV 589: VII. Domine Fili unigenite | Antonio Vivaldi, Sir Neville Marriner, Academy Chorus of St Martin in the Fields, Academy of St. Martin in the Fields | F Major | 2 | 7B | 142 BPM | |
 | The day thou gavest, Lord, is ended | Clement Cotterill Scholefield, The Cambridge Singers, John Scott, John Rutter | A♭ Major | 1 | 4B | 83 BPM |
- ISRC
- USSP39847046
- Label
- L-M Records/RCA Records
Section: 0.7349045276641846
End: 0.7410335540771484