Louis Couperin, Massimo Berghella made "Harpsichord Suite No. 1 in G Minor: XCVI. Chaconne ou Passacaille" available on June 30, 2023. The duration of Harpsichord Suite No. 1 in G Minor: XCVI. Chaconne ou Passacaille is about 3 minutes long, at 3:27. Based on our data, "Harpsichord Suite No. 1 in G Minor: XCVI. Chaconne ou Passacaille" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 129 in Couperin: Complete Harpsichord Music by Louis Couperin, Massimo Berghella. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Harpsichord Suite No. 1 in G Minor: XCVI. Chaconne ou Passacaille is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Harpsichord Suite No. 1 in G Minor: XCVI. Chaconne ou Passacaille by Louis Couperin, Massimo Berghella is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hamburg Symphony No. 5 in B Minor, Wq. 182: II. Larghetto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Violin Sonata in C Major, Op. 5 No. 3: II. Allegro (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Chamber Sonata No. 1 in B-Flat Major: III. Adagio | Élisabeth Jacquet de La Guerre, Musica Fiorita | F♯ Minor | 1 | 11A | 88 BPM | ||
6 Sonates meleese de pieces, Op. 2: V. Sonata in D major "La Chauvet”: VI. Gavotta "La Dedale" | Michel Blavet, Claudio Ferrarini, Accademia Farnese | A♭ Major | 0 | 4B | 119 BPM | ||
Pieces de clavecin: Suite in A Minor - major: III. Allemande II | Jean-Philippe Rameau, Gilbert Rowland | D♭ Minor | 4 | 12A | 108 BPM | ||
Pyrame et Thisbé: Air pour les guerriers | François Rebel, François Francoeur, Théotime Langlois de Swarte, Justin Taylor | B♭ Minor | 3 | 3A | 78 BPM | ||
Sonata No. 10 in F Major, “L’ affetuosa”: I. Allegro affettuoso | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | C Major | 4 | 8B | 213 BPM | ||
Aria Amorosa | Nicola Matteis, Gli Incogniti, Amandine Beyer | A♭ Minor | 2 | 1A | 95 BPM | ||
L'art de toucher le clavecin: No. 8, Prelude in E Minor | François Couperin, Andrew Appel | C Major | 5 | 8B | 72 BPM | ||
Sonata a tre in re maggiore: III. Vivace | Giovanni Battista Bassani, Musica Antiqua Latina | D♭ Major | 2 | 3B | 183 BPM |
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