- BPM
- 103
- Key
- B Minor
- Camelot
- 10A
Matthäuspassion, BWV 244: Chorale: Wer hat dich so geschlagen (Chorus I and II) - Johann Sebastian Bach, Knaben des Kölner Domchores, Dresdner Kammerchor, Kolner Kammerorchester, Helmut Muller-Bruhl Information
- Acousticness
- 98%
- Danceability
- 43%
- Energy
- 18%
- Instrumentalness
- 0%
- Liveness
- 15%
- Loudness
- 73%
- Speechiness
- 6%
- Valence
- 44%
- Popularity
- 6%
- Loudness
- -16.183 dB
Summary
Johann Sebastian Bach, Knaben des Kölner Domchores, Dresdner Kammerchor, Kolner Kammerorchester, Helmut Muller-Bruhl made "Matthäuspassion, BWV 244: Chorale: Wer hat dich so geschlagen (Chorus I and II)" available on November 1, 2005. With Matthäuspassion, BWV 244: Chorale: Wer hat dich so geschlagen (Chorus I and II) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Johann Sebastian Bach, Kolner Kammerorchester, Helmut Muller-Bruhl's "J.S. Bach: Matthäuspassion, BWV 244" album is number 8 out of 68. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Matthäuspassion, BWV 244: Chorale: Wer hat dich so geschlagen (Chorus I and II) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Matthäuspassion, BWV 244: Chorale: Wer hat dich so geschlagen (Chorus I and II) BPM
We consider the tempo marking of Matthäuspassion, BWV 244: Chorale: Wer hat dich so geschlagen (Chorus I and II) by Johann Sebastian Bach, Knaben des Kölner Domchores, Dresdner Kammerchor, Kolner Kammerorchester, Helmut Muller-Bruhl to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Matthäuspassion, BWV 244: Chorale: Wer hat dich so geschlagen (Chorus I and II) Key
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro) | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | E Minor | 1 | 9A | 81 BPM | |
 | II. Lobe Den Herrn, Meine Seele BWV 143, For New Year's Day, Am Neujahrstag: Coro, Lobe Den Herrn, Meine Seele | Pieter Jan Leusink, Ruth Holton, Teunis van der Zwart, Nico Van Der Meel, Louis Van Emmerik, Johann Sebastian Bach, Bas Ramselaar, Sytse Buwalda, Frank Aarnink, Helen Macdougall, Amsterdam Classics B.V., Jean Van Vugt, Erwin Wieringa, Holland Boys Choir, Netherlands Bach Collegium | B Major | 1 | 1B | 129 BPM | |
 | I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (4) Choral (Tenore): Zion Hört Die Wächter Singen | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Nico Van Der Meel, Johann Sebastian Bach, Pieter Jan Leusink | D Major | 0 | 10B | 166 BPM | |
 | III. Wer Dank Opfert, Der Preiset Mich BWV 17, Seconda Parte, Choral (Coro): Wie Sich Ein Vat'R Erbarmet | Pieter Jan Leusink, Knut Schoch, Sytse Buwalda, Holland Boys Choir, Netherlands Bach Collegium, Bas Ramselaar, Johann Sebastian Bach, Ruth Holton | A♭ Major | 2 | 4B | 84 BPM | |
 | I. Christ Lag In Todes Banden BWV 4, 6. Aria (Basso) (Versus V): Hier Ist Das Rechte Osterlamm | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Bas Ramselaar, Nico Van Der Meel, Johann Sebastian Bach, Sytse Buwalda, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | |
 | Italian Concerto In F Major BWV 971, Italienisches Konzert, F Dur BWV 971: Allegro | Pieter-Jan Belder, Arts Music Recording, Rotterdam, Johann Sebastian Bach | E♭ Major | 5 | 5B | 95 BPM | |
 | Auf Christi Himmelfahrt allein, BWV 128: IV. Duetto "Sein Allmacht zu ergründen" | Johann Sebastian Bach, Vox Luminis, Freiburger Barockorchester, Lionel Meunier, William Shelton, Raphael Höhn | F♯ Major | 2 | 2B | 137 BPM | |
 | I. Schauet Doch Und Sehet, Ob Irgendein Schmerz Sei BWV 46, (6) Choral (Coro): O Großer Gott Der Treu' | Holland Boys Choir, Netherlands Bach Collegium, Bas Ramselaar, Ruth Holton, Johann Sebastian Bach, Anneke Boeke, Knut Schoch, Katherin Steddon, Sytse Buwalda, Pieter Jan Leusink | F♯ Minor | 1 | 11A | 85 BPM | |
 | St. Matthew Passion, BWV 244 / Part One: No. 17 Evangelist, Jesus, Judas: "Er antwortete und sprach" | Johann Sebastian Bach, Peter Schreier, Dietrich Fischer-Dieskau, Anton Diakov, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 69 BPM | |
 | Concerto No. 5 In D Major BWV1050 - Allegro | Jordi Savall, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM |
- ISRC
- HKI190584508
- Label
- L-M Records/RCA Records
Section: 0.5004124641418457
End: 0.5058684349060059