Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes made "Le Corsaire: Act I - "25. Finale – End of Act I"" available on October 14, 2011. With Le Corsaire: Act I - "25. Finale – End of Act I" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè's "Le Corsaire - A Ballet in Three Acts" album is number 25 out of 70. In terms of popularity, Le Corsaire: Act I - "25. Finale – End of Act I" is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Le Corsaire: Act I - "25. Finale – End of Act I" by Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gayaneh, Ballet Suite: Gayaneh's Adagio | Aram Khachaturian, Bolshoi Theatre Orchestra, Yevgeny Svetlanov | A Major | 1 | 11B | 105 BPM | ||
Sinfonia in G Major: I. Adagio. Allegro | Theodor von Schacht, Evergreen Symphony Orchestra, Gernot Schmalfuss | G Major | 3 | 9B | 129 BPM | ||
La Sylphide: Act I: Effy's entrance | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | G Major | 0 | 9B | 37 BPM | ||
La Bayadere, Act I, Scene 1: 4. "Lead Fakir - Magadaveya" | Evergreen Symphony Orchestra, Kevin Galiè | D Minor | 1 | 7A | 120 BPM | ||
Bridal Procession, Op. 19 No. 2 | Edvard Grieg, Yuri Temirkanov | A♭ Major | 0 | 4B | 72 BPM | ||
La Bayadere, Act II: 26: "Variation - Golden Idol" | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 2 | 10B | 109 BPM | ||
Giselle (1996 Digital Remaster), Act I, No.5, Peasant pas de deux (Burgmuller): Entrance | Adolphe Adam, Terence Kern/London Festival Ballet Orchestra, Terence Kern, Terrence Kern, London Festival Ballet Orchestra | D Major | 5 | 10B | 103 BPM | ||
Violin Concerto N°1 in D, Op. 6: III. Rondo (Allegro spirituoso) | The London Symphony Orchestra - Gordan Nikolitch (violin) | A Major | 1 | 11B | 103 BPM | ||
Die Flamme von Paris (Flames of Paris) (arr. March): Act IV: Moderato: Men's Variation | Boris Vladimirovich Asafiev, March, Sofia National Opera Orchestra, Boris Spassov | A♭ Major | 1 | 4B | 95 BPM | ||
Manon Ballet - Arranged and orchestrated by Leighton Lucas with the collaboration of Hilda Gaunt / Act 3: Scene 3 - A Swamp in Louisiana | Jules Massenet, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D♭ Major | 3 | 3B | 70 BPM |
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