- BPM
- 175
- Key
- F Minor
- Camelot
- 4A
La traviata, Act I: Ah, forse è lui (Live) - Giuseppe Verdi, Nadine Sierra, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta Information
- Acousticness
- 98%
- Danceability
- 24%
- Energy
- 4%
- Instrumentalness
- 0%
- Liveness
- 12%
- Loudness
- 57%
- Speechiness
- 6%
- Valence
- 4%
- Popularity
- 9%
- Loudness
- -25.711 dB
Summary
"La traviata, Act I: Ah, forse è lui (Live)" by Giuseppe Verdi, Nadine Sierra, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta was released on October 21, 2022. With this song being about 5 minutes long, at 4:54, "La traviata, Act I: Ah, forse è lui (Live)" by Giuseppe Verdi, Nadine Sierra, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Verdi: La traviata (Live) by Giuseppe Verdi, Nadine Sierra, Francesco Meli, Leo Nucci, Caterina Meldolesi, Zubin Mehta, Orchestra del Maggio Musicale Fiorentino. The song's track number on the album is #9 out of 35 tracks. Based on our data, Italy was the country where this track was produced or recorded. The popularity of La traviata, Act I: Ah, forse è lui (Live) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La traviata, Act I: Ah, forse è lui (Live) BPM
Since La traviata, Act I: Ah, forse è lui (Live) by Giuseppe Verdi, Nadine Sierra, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta has a tempo of 175 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With La traviata, Act I: Ah, forse è lui (Live) being at 175 BPM, the half-time would be 88 BPM with a double-time of 350 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
La traviata, Act I: Ah, forse è lui (Live) Key
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Selig, wie die Sonne" | Richard Wagner, Norman Bailey, Hannelore Bode, René Kollo, Adolf Dallapozza, Julia Hamari, Wiener Philharmoniker, Sir Georg Solti | F♯ Major | 2 | 2B | 82 BPM | |
 | Rigoletto: Act I: Gualtier Malde … Caro nome | Giuseppe Verdi, Daniela Lojarro, Gisella Pasino, Giuseppe Sabbatini, Marco Chingari, Berlin Radio Symphony Orchestra, Roberto Paternostro | E Major | 0 | 12B | 171 BPM | |
 | Confutatis | Giuseppe Verdi, Lisa Beckley, Elena Filipova, Magdaléna Hajóssyová, Peter Mikulas, Michel Piquemal, Gloria Scalchi, Michel Piquemal Vocal Ensemble, Hungarian State Opera Chorus, Oxford Schola Cantorum, Slovak Philharmonic Chorus, Hungarian State Opera Orchestra, Orchestre De La Cite, Oxford Camerata, Slovak Philharmonic | D♭ Minor | 2 | 12A | 0 BPM | |
 | Tosca: Act III: O dolci mani mansuete e pure (Cavaradossi) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | F Major | 0 | 7B | 86 BPM | |
 | Il barbiere di Siviglia (the Barber of Seville), Act I: Cavatina. Largo al factotum della citta | Gioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | C Major | 3 | 8B | 100 BPM | |
 | Puccini: Tosca, Act 2: "Vissi d'arte, vissi d'amore" (Tosca) | Giacomo Puccini, Maria Callas, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Major | 1 | 5B | 90 BPM | |
 | Carmen, Act 2: Votre toast (Toreador's Song) | Georges Bizet, Kostas Paskalis/Eliane Lublin/Viorica Cortez/Grace Bumbry/Choeurs de l'Opéra National de Paris/Orchestre de l'Opéra National de Paris/Rafael Frühbeck de Burgos, Rafael Frühbeck de Burgos, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | G Minor | 0 | 6A | 124 BPM | |
 | Puccini: Gianni Schicchi, Act 1: "O mio babbino caro" (Lauretta) | Giacomo Puccini, Maria Callas, Tullio Serafin, Philharmonia Orchestra | A♭ Major | 1 | 4B | 75 BPM | |
 | Aida / Act 2: Grand March | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E♭ Major | 0 | 5B | 110 BPM | |
 | La Bohème: Mi chiamano Mimi | Mirella Freni | D Major | 2 | 10B | 74 BPM |
- ISRC
- ITN322220666
- Label
- L-M Records/RCA Records
Section: 0.5430440902709961
End: 0.5554261207580566