"Three Visions: I. Dark Horseman" by William Grant Still, Natalie Hinderas was released on January 1, 2007. With Three Visions: I. Dark Horseman being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Piano Music by African-American Composers". In this album, this song's track order is #7. Three Visions: I. Dark Horseman is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Three Visions: I. Dark Horseman by William Grant Still, Natalie Hinderas having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Woodland Sketches, Op. 51: No. 3: At an Old Trysting Place | Edward MacDowell, James Barbagallo | D♭ Major | 0 | 3B | 98 BPM | ||
Adoration | Florence Beatrice Price, Randall Goosby, Zhu Wang | G Major | 1 | 9B | 79 BPM | ||
Introduction & Variations on Favorite Airs from Bellini's "Norma", Op. 36: Var. 2, Andante con espressione | Elias Parish Alvars, Paola Perrucci | E♭ Major | 0 | 5B | 79 BPM | ||
Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Emmanuelle Bertrand, Pascal Amoyel | B♭ Major | 0 | 6B | 89 BPM | ||
Songs Of Separation: II. Poeme | William Grant Still, Louis Kaufman, George Berres, Alexander Neiman, Terry King, Georgia Akst, Claudine Carlson | D Major | 1 | 10B | 97 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
By the Still Waters, Op. 114 | Amy Beach, Isata Kanneh-Mason | D♭ Major | 0 | 3B | 76 BPM | ||
Five English Nursery Tunes: IV. Curly Locks | Hubert Clifford, Martyn Brabbins, BBC Philharmonic | B♭ Major | 0 | 6B | 74 BPM | ||
3 Piano Pieces, Op. 54: I. Vesipisaroita (Raindrops) | Selim Palmgren, Risto Lauriala | E Minor | 0 | 9A | 105 BPM | ||
Symphony No. 1, "Afro-American": IV. Lento, con risoluzione | William Grant Still, Chicago Sinfonietta, Paul Freeman | F♯ Major | 0 | 2B | 73 BPM |
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