"Symphony No. 1, "Afro-American": IV. Lento, con risoluzione" by William Grant Still, Chicago Sinfonietta, Paul Freeman was released on January 1, 2000. Since Symphony No. 1, "Afro-American": IV. Lento, con risoluzione is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 12 out of 12 in African Heritage Symphonic Series, Vol. 1 by Chicago Sinfonietta. Symphony No. 1, "Afro-American": IV. Lento, con risoluzione is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 1, "Afro-American": IV. Lento, con risoluzione by William Grant Still, Chicago Sinfonietta, Paul Freeman is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The music key of this track is F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Berceuse, Op. 16 | Gabriel Fauré, Cocomi, Niu Niu | A Minor | 1 | 8A | 129 BPM | ||
Infinity | Rosey Chan | E♭ Major | 0 | 5B | 67 BPM | ||
Miniatures for Piano "A Whole in Twelve": No. 2, The Lady Plays | Mikael Ayrapetyan | D♭ Major | 0 | 3B | 75 BPM | ||
At a Georgia Campmeeting (1897) | Louis Moreau Gottschalk, Kerry Mills, Greg McCallum, Kenneth Frazelle, Julie Harris, William Grant Still, Frederic Rzewski | D♭ Major | 3 | 3B | 96 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Canción | Manuel de Falla, Javier Perianes | C Minor | 0 | 5A | 76 BPM | ||
Bonis: Miocheries, Op. 126: No. 13, La toute petite s'endort | Mel Bonis, Bertrand Chamayou | B Minor | 0 | 10A | 81 BPM | ||
Siciliana (from "The Tree of Life", Arr. for Piano from Antiche Danze, Suite No. 3 by Ottorino Respighi) | Ottorino Respighi, Olga Scheps | E♭ Major | 0 | 5B | 69 BPM | ||
Cinq Grimaces pour le songe d'une nuit d'été: V. Pour sortir | Erik Satie, Olga Scheps | B♭ Major | 1 | 6B | 116 BPM | ||
The Hours: An Unwelcome Friend (From "The Hours") | Philip Glass, Nicolas Horvath | G Minor | 0 | 6A | 74 BPM |
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