Adolphe Adam, Wiener Philharmoniker, Herbert von Karajan's 'Giselle / Act 1: No. 2 Entrée du Prince' came out on January 1, 1962. With Giselle / Act 1: No. 2 Entrée du Prince being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 19 in Adam: Giselle by Adolphe Adam, Wiener Philharmoniker, Herbert von Karajan. Based on our statistics, Giselle / Act 1: No. 2 Entrée du Prince's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Giselle / Act 1: No. 2 Entrée du Prince by Adolphe Adam, Wiener Philharmoniker, Herbert von Karajan is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romeo and Juliet, Op. 64 (Excerpts): Death of Juliet | Sergei Prokofiev, Esa-Pekka Salonen | C Major | 1 | 8B | 75 BPM | ||
Le Corsaire: Act II - "4. Grand Pas: Variation: Ali" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | A♭ Major | 1 | 4B | 121 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 18, Danse du mai | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | B♭ Major | 3 | 6B | 113 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16e, Pas de deux de Fanny Elssler. Coda | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | F Major | 3 | 7B | 151 BPM | ||
Syncopation | Fritz Kreisler, Ray Chen, Julien Quentin | G Major | 1 | 9B | 133 BPM | ||
Romeo and Juliet, Op. 64 (Excerpts): Dance of the Knights | Sergei Prokofiev, Esa-Pekka Salonen | C Major | 1 | 8B | 97 BPM | ||
La Bayadere, Act III: 46. "Variation - 3rd Soloist Shade" | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 0 | 10B | 170 BPM | ||
Henry VIII: Scherzetto | Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 92 BPM | ||
The Birds, P. 154: V. The Cuckoo (Il cuccù) | Ottorino Respighi, Orpheus Chamber Orchestra | A Major | 0 | 11B | 118 BPM | ||
II. Andante | Samuel Barber, Leonard Slatkin, St. Louis Symphony, Elmar Oliveria | C Minor | 2 | 5A | 65 BPM |
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