On 2004, the song "Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.15 in G major BWV860" was released by Daniel Barenboim. With Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.15 in G major BWV860 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 29 out of 96 in Bach, JS : Well-Tempered Clavier Books 1 & 2 by Daniel Barenboim. Based on our statistics, Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.15 in G major BWV860's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.15 in G major BWV860 by Daniel Barenboim is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Consolations, S. 172: No. 4 in D-Flat Major (Quasi Adagio) | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 99 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.8 in D sharp minor BWV877 | Daniel Barenboim | D♭ Minor | 0 | 12A | 68 BPM | ||
Goldberg Variations - Version for 2 Pianos by Rheinberger/Reger: 19. Allegretto | Tal & Groethuysen | G Major | 1 | 9B | 154 BPM | ||
Quartet in G major / Sol majeur / G-dur: II. Vivace - Moderato - Vivace | Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz | E♭ Minor | 2 | 2A | 115 BPM | ||
Oboe Concerto in C: 2. Allegro | Domenico Cimarosa, Heinz Holliger, I Musici | C Major | 2 | 8B | 114 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Anna Holbling, Quido Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 1 | 5A | 92 BPM | ||
Concerto Grosso in G Minor, Op. 6, No. 8, "Fatto per la Notte di Natale": I. Vivace - Grave | Arcangelo Corelli, Orpheus Chamber Orchestra, Naoko Tanaka, Eric Wyrick, Eric Bartlett, Edward Brewer | G Minor | 1 | 6A | 84 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.15 in G major BWV860 | Daniel Barenboim | G Major | 2 | 9B | 86 BPM | ||
Kinderszenen, Op.15: 2. Kuriose Geschichte | Robert Schumann, Martha Argerich | D Major | 0 | 10B | 66 BPM |
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