"Bachianas brasileiras No. 2, "O trenzinho do Caipira": II. Aria: O Canto da nossa terra (Song of Our Land)" by Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn was released on November 15, 2005. Bachianas brasileiras No. 2, "O trenzinho do Caipira": II. Aria: O Canto da nossa terra (Song of Our Land) is about six minutes long, preciously at 5:50, making this song fairly long compared to other songs. This song is part of Villa-Lobos: Bachianas Brasileiras (Complete) by Heitor Villa-Lobos, Andrew Mogrelia, Kenneth Schermerhorn. The song's track number on the album is #5 out of 29 tracks. Bachianas brasileiras No. 2, "O trenzinho do Caipira": II. Aria: O Canto da nossa terra (Song of Our Land) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Bachianas brasileiras No. 2, "O trenzinho do Caipira": II. Aria: O Canto da nossa terra (Song of Our Land) by Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Bachianas brasileiras No. 2, "O trenzinho do Caipira": II. Aria: O Canto da nossa terra (Song of Our Land) being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition (Orch. M. Ravel): II. Il vecchio castello | Modest Mussorgsky, フランス国立リヨン管弦楽団, レナード・スラットキン | A♭ Major | 2 | 4B | 87 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM | ||
Lyrische Suite: I. Allegretto giovale | Alban Berg, Jean-Guihen Queyras, Ensemble Resonanz | D♭ Major | 3 | 3B | 95 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Major | 3 | 6B | 144 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 3. Intermezzo (Allegretto non troppo) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 1 | 8A | 115 BPM | ||
Piazzolla: Histoire du tango: I. Bordel 1900 | Astor Piazzolla, Emmanuel Pahud, Christian Rivet | A Major | 1 | 11B | 113 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: II. Molto rallentando | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Major | 2 | 12B | 76 BPM | ||
Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, London Philharmonic Orchestra | E Minor | 1 | 9A | 137 BPM | ||
Bachianas brasileiras No. 5: I. Aria (Cantilena): Adagio | Plínio Fernandes, Sheku Kanneh-Mason | E Minor | 2 | 9A | 105 BPM | ||
Piano Concerto No.1 for piano, trumpet & strings, Op.35: 2. Lento | Dmitri Shostakovich, Ronald Brautigam, Peter Masseurs, Concertgebouworkest, Riccardo Chailly | C Major | 0 | 8B | 69 BPM |
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