"Iberia, Suite for Piano, Book 2: I. Rondeña" by Alicia de Larrocha was released on February 14, 2012. Since Iberia, Suite for Piano, Book 2: I. Rondeña is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Karol Szymanowski's "Impressionist Masterminds" album is number 35 out of 50. The popularity of Iberia, Suite for Piano, Book 2: I. Rondeña is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Iberia, Suite for Piano, Book 2: I. Rondeña by Alicia de Larrocha to be Vivace (lively and fast) because the track has a tempo of 175 BPM, a half-time of 88BPM, and a double-time of 350 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nights in the Gardens of Spain: 3. En los jardines de la Sierra de Cordoba | Manuel de Falla, Alicia de Larrocha, London Philharmonic Orchestra, Rafael Frühbeck de Burgos | D Major | 1 | 10B | 127 BPM | ||
Lieder ohne Worte VIII, Op. 102: V. Allegro vivace, MWV U194 "The Joyous Peasant" | Felix Mendelssohn, Howard Shelley | A Major | 1 | 11B | 138 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: VIII. Bergamasca | Ottorino Respighi, Konstantin Scherbakov | D Major | 1 | 10B | 88 BPM | ||
Nocturne in B Major, Op. 32, No. 1 | Frédéric Chopin, Alicia de Larrocha | E♭ Major | 0 | 5B | 73 BPM | ||
La plus que lente, L. 121 | Claude Debussy, Nikita Magaloff | D♭ Minor | 0 | 12A | 77 BPM | ||
An die Musik, D. 547 (Arr. Moore) | Franz Schubert, Angela Hewitt | G Major | 0 | 9B | 63 BPM | ||
Dolly, Op.56: 2. Mi-A-Ou | Gabriel Fauré, Katia Labèque, Marielle Labèque | F Major | 1 | 7B | 71 BPM | ||
12 Monferrinas, Op. 49: VIII. Vivace assai | Muzio Clementi, Howard Shelley | B♭ Major | 2 | 6B | 103 BPM | ||
18 Études, Op. 109: No. 12, Le réveil dans les bois | Franz Burgmüller, Carl Petersson | F Major | 4 | 7B | 194 BPM | ||
16 Waltzes, Op. 39: 16. In C Sharp Minor | Johannes Brahms, Aloys Kontarsky, Alfons Kontarsky | E Major | 2 | 12B | 86 BPM |
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