"Francesca da Rimini, Op. 4, Act I, Scene 13: Portami nella stanza (Francesca, Garsenda, Biancofiore, Adonella, Altichiara, Chorus)" by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Tunde Franko, Anita Bader, Jaroslava Horska, Jolana Fogasova, Kammerchor Sofia was released on 1994. The duration of Francesca da Rimini, Op. 4, Act I, Scene 13: Portami nella stanza (Francesca, Garsenda, Biancofiore, Adonella, Altichiara, Chorus) is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Francesca da Rimini, Op. 4, Act I, Scene 13: Portami nella stanza (Francesca, Garsenda, Biancofiore, Adonella, Altichiara, Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Zandonai: Francesca da Rimini by Riccardo Zandonai, Elena Filipova, Fabio Luisi, Wiener Symphoniker. The song's track number on the album is #14 out of 47 tracks. Based on our data, Austria was the country where this track was produced or recorded. Francesca da Rimini, Op. 4, Act I, Scene 13: Portami nella stanza (Francesca, Garsenda, Biancofiore, Adonella, Altichiara, Chorus) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Op. 4, Act I, Scene 13: Portami nella stanza (Francesca, Garsenda, Biancofiore, Adonella, Altichiara, Chorus) by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Tunde Franko, Anita Bader, Jaroslava Horska, Jolana Fogasova, Kammerchor Sofia has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Francesca da Rimini, Op. 4, Act I, Scene 13: Portami nella stanza (Francesca, Garsenda, Biancofiore, Adonella, Altichiara, Chorus) being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Francesca da Rimini, Op. 4, Act II: Viva Messer Giovanni Malatesta! | Riccardo Zandonai, Martin Mühle, Juan Orozco, Freiburger Kammerchor, Vokalensemble der Hochschule für Musik Freiburg, Extrachor des Theater Freiburg, Opernchor des Theater Freiburg, Philharmonisches Orchester Freiburg, Fabrice Bollon | G Minor | 0 | 6A | 132 BPM | ||
Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi | A♭ Major | 2 | 4B | 79 BPM | ||
Cherubini: Medea, Act 1: "No, non temer" (Creonte, Glauce, Giasone) | Luigi Cherubini, Giuseppe Modesti, Renata Scotto, Mirto Picchi, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Giuseppe Modesti, Mirto Picchi, Orchestra Del Teatro Alla Scala, Milano, Renata Scotto, Tullio Serafin | G Major | 1 | 9B | 87 BPM | ||
Puccini: Turandot , Act 1: "Gira la cote! Gira!" (Crowd, Executioner's men) | Giacomo Puccini, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala Di Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | F♯ Major | 2 | 2B | 78 BPM | ||
Anna ! Pregavi ? | Riccardo Zandonai, Gianandrea Gavazzeni | D Major | 4 | 10B | 115 BPM | ||
La Bohème (2003 Digital Remaster), ATTO SECONDO/ACT 2/ZWEITER AKT/DEUXIÈME ACTE: Quando me'n vo | Maria Callas, Georges Prêtre, Orchestre National de la RTF | D♭ Major | 2 | 3B | 80 BPM | ||
Falla: La vida breve, Act I: "Vivan los que rien!" (Salud, Paco, Chorus) | Manuel de Falla, Marianne Crebassa, Choeur Du Capitole De Toulouse, Stanislas de Barbeyrac, Ben Glassberg, Orchestre National Du Capitole De Toulouse | A Minor | 2 | 8A | 189 BPM | ||
Francesca da Rimini, Op. 4, Act II, Scene 3: Ecco l'elmetto ch'io vi dono (Paolo, Francesca, Il Torregiano, Chorus) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Frederic Kalt, Cheyne Davidson, Kammerchor Sofia | D Minor | 1 | 7A | 80 BPM | ||
Francesca da Rimini, Op. 4, Act III, Scene 1: Dama, abbiate ne pietà (Francesca, Garsenda, Biancofiore, Adonella, Smaragdi) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Tunde Franko, Anita Bader, Jaroslava Horska, Lorena Espina | D Minor | 0 | 7A | 89 BPM | ||
Gounod: Faust, CG 4, Act 1 Scene 1: No. 3, Récitatif, "Mais, ce Dieu, que peut-il pour moi?" (Faust) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM |
Section: 0.6053271293640137
End: 0.6095235347747803