"Concerto for Oboe and Orchestra after a Theme from Donizetti's "La Favorita": I. Andante" by Antonio Pasculli, François Leleux was released on May 18, 2012. Concerto for Oboe and Orchestra after a Theme from Donizetti's "La Favorita": I. Andante is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. The song is number 14 out of 15 in Der Charme der Oboe by François Leleux, Munich Chamber Orchestra. Concerto for Oboe and Orchestra after a Theme from Donizetti's "La Favorita": I. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for Oboe and Orchestra after a Theme from Donizetti's "La Favorita": I. Andante by Antonio Pasculli, François Leleux is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Poulenc: Sextet for Piano and Winds, FP 100: III. Finale. Prestissimo | Francis Poulenc, Les Vents Français | C Major | 1 | 8B | 112 BPM | ||
Plie (Piacer D'amor) [feat. Joyce Hammann] | Steven Mitchell, Joyce Hammann | E Major | 1 | 12B | 80 BPM | ||
Glück: I. Andante | Siegfried Wagner, Rundfunk-Sinfonieorchester Frankfurt, Dimitrij Kitajenko | A Minor | 0 | 8A | 86 BPM | ||
La Fille mal gardée, Act I: 1. Introduction | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | A Major | 0 | 11B | 95 BPM | ||
Bach Brandenburg Concerto | Belize Ensemble | D♭ Minor | 4 | 12A | 154 BPM | ||
Symphony No. 20 in D Major, K. 133: II. Andante | Wolfgang Amadeus Mozart, Folkwang Kammerorchester Essen, Johannes Klumpp | A Major | 0 | 11B | 117 BPM | ||
Orpheus in the Underworld: Galop infernal (Transcr. for Solo Violin and Chamber Orchestra) | Jacques Offenbach, Daniel Hope, Zürcher Kammerorchester | C Minor | 0 | 5A | 96 BPM | ||
Natko Devčić: Istrian Suite: II. Leaping Dance | Natko Devcic, Muenchner Rundfunkorchester, Ivan Repušić, Munich Radio Orchestra | F Minor | 2 | 4A | 80 BPM | ||
Sonate pour Clarinette et Piano, Op. 167: Sonate pour clarinette et piano, Op. 167: IV. Molto allegro - Allegretto | Camille Saint-Saëns, David Bismuth, Pierre Génisson | E♭ Major | 1 | 5B | 78 BPM | ||
7 Canciones populares espanolas (arr. P. Kochanski for violin and piano): Cancion | Paul Kochanski, Manuel de Falla, Robert Koenig, Si-Qing Lu | G Major | 0 | 9B | 71 BPM |
Section: 0.6423513889312744
End: 0.6461198329925537