- BPM
- 67
- Key
- B Minor
- Camelot
- 10A
Piano Trio in B-Flat Major, Op. 97: II. Scherzo. Allegro - Ludwig van Beethoven, Arthur Rubinstein, Jascha Heifetz, Emanuel Feuermann Information
- Acousticness
- 99%
- Danceability
- 39%
- Energy
- 1%
- Instrumentalness
- 88%
- Liveness
- 12%
- Loudness
- 45%
- Speechiness
- 6%
- Valence
- 19%
- Popularity
- 14%
- Loudness
- -32.998 dB
Summary
"Piano Trio in B-Flat Major, Op. 97: II. Scherzo. Allegro" by Ludwig van Beethoven, Arthur Rubinstein, Jascha Heifetz, Emanuel Feuermann was released on 1941. Piano Trio in B-Flat Major, Op. 97: II. Scherzo. Allegro is about six minutes long, preciously at 6:13, making this song fairly long compared to other songs. The song is number 2 out of 4 in Beethoven: "Archduke" Piano Trio No. 7, in B Flat major, Op. 97 by Ludwig van Beethoven, Jascha Heifetz. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Piano Trio in B-Flat Major, Op. 97: II. Scherzo. Allegro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Piano Trio in B-Flat Major, Op. 97: II. Scherzo. Allegro BPM
The tempo marking of Piano Trio in B-Flat Major, Op. 97: II. Scherzo. Allegro by Ludwig van Beethoven, Arthur Rubinstein, Jascha Heifetz, Emanuel Feuermann is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Piano Trio in B-Flat Major, Op. 97: II. Scherzo. Allegro Key
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Four Orchestral Pieces Op. 12 (Sz 51): I. Preludio | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | |
 | Petrouchka - Three Movements for Piano (1921) / Scene 1: IV. Russian Dance | Igor Stravinsky, Yuja Wang | A Minor | 3 | 8A | 118 BPM | |
 | String Quartet No. 1 "Kreutzer Sonata": String Quartet No. 1 "Kreutzer Sonata": I. Adagio. Con moto | Leoš Janáček, Melos Quartet | E Major | 1 | 12B | 81 BPM | |
 | Lyric Pieces Book I, Op. 12: 1. Arietta | Edvard Grieg, Andrei Gavrilov | B♭ Major | 0 | 6B | 72 BPM | |
 | Piano Sonata No.14 In C Sharp Minor, Op.27 No.2 -"Moonlight": 2. Allegretto | Ludwig van Beethoven, Daniel Barenboim | D♭ Major | 0 | 3B | 68 BPM | |
 | String Quartet No. 10 in A-Flat Major, Op. 118: III. Adagio - | Dmitri Shostakovich, Eder Quartet | G Major | 0 | 9B | 98 BPM | |
 | Sonata No. 1, Op. 13, in A: Andante | Gabriel Fauré, Jascha Heifetz, Brooks Smith | B♭ Major | 1 | 6B | 98 BPM | |
 | Schumann: Cello Concerto in A Minor, Op. 129: II. Langsam | Robert Schumann, Jacqueline du Pré, Daniel Barenboim, New Philharmonia Orchestra | F Major | 1 | 7B | 85 BPM | |
 | Wind Quintet in E-Flat Major, Hess 19: III. Minuetto | Ludwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno Kevehazi | E♭ Major | 0 | 5B | 82 BPM | |
 | Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | E Major | 0 | 12B | 64 BPM |
- ISRC
- USBC19705184
- Label
- L-M Records/RCA Records
Section: 0.7648594379425049
End: 0.7681591510772705