"Sonata No. 1, Op. 13, in A: Andante" by Gabriel Fauré, Jascha Heifetz, Brooks Smith was released on 1959. Sonata No. 1, Op. 13, in A: Andante is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. This song is part of Vitali: Chaconne in G Minor - Tedesco: The Lark - Fauré: Sonata No. 1, Op. 13, in A by Jascha Heifetz. The song's track number on the album is #4 out of 6 tracks. In terms of popularity, Sonata No. 1, Op. 13, in A: Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Sonata No. 1, Op. 13, in A: Andante by Gabriel Fauré, Jascha Heifetz, Brooks Smith has a tempo of 98 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Sonata No. 1, Op. 13, in A: Andante being at 98 BPM, the half-time would be 49 BPM with a double-time of 196 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 13 in D Minor | John Field, Benjamin Frith | F Major | 1 | 7B | 69 BPM | ||
Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
Cello Sonata in D Minor, Op. 40: II. Allegro | Dmitri Shostakovich, Emanuel Ax, Yo-Yo Ma & The Silk Road Ensemble | E♭ Major | 1 | 5B | 147 BPM | ||
String Quartet No. 1 in E Minor, JB 1:105: I. Allegro vivo appassionato | Bedřich Smetana, Pavel Haas Quartet | E Minor | 1 | 9A | 84 BPM | ||
12 Scenes or Caprices, Op. 109: No. 7. Le Caprice | Charles-Auguste de Bériot, Bella Hristova | A Minor | 1 | 8A | 102 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
Sarcasms for Piano, Op. 17: III. Allegro precipitato | Sergei Prokofiev, Daniil Trifonov | F Minor | 3 | 4A | 106 BPM | ||
Violin Concerto No. 3 In E Major, MS 50: II. Adagio, Cantabile Spianato | Erno Rozsa, Slovak Radio Symphony Orchestra, Niccolò Paganini | A Major | 0 | 11B | 98 BPM | ||
3 Preludes (arr. J. Heifetz): No. 1. Allegro ben ritmato e deciso | Jascha Heifetz, George Gershwin, Matthew Trusler, Wayne Marshall | C Minor | 3 | 5A | 102 BPM |
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