Joseph-Nicolas, Joseph-Nicolas-Pancrace Royer, Iakovos Pappas made "Suite No.1: No. 3, Les matelots" available on January 1, 1992. The duration of Suite No.1: No. 3, Les matelots is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Suite No.1: No. 3, Les matelots's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Royer: Pièces de Clavecin". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Italy. Based on our statistics, Suite No.1: No. 3, Les matelots's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Suite No.1: No. 3, Les matelots by Joseph-Nicolas, Joseph-Nicolas-Pancrace Royer, Iakovos Pappas having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in F minor, Wq 63/6: I. Finale | Carl Philipp Emanuel Bach, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Bach, JS: Trio Sonata in G Major, BWV 1038: I. Largo | Johann Sebastian Bach, Emmanuel Pahud, Christine Schornsheim, Georg Faust, Rainer Kussmaul | G Major | 1 | 9B | 92 BPM | ||
Sonata for violoncello and basso continuo in G Major, WKO 147: II. Adagio | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 1 | 2B | 174 BPM | ||
Flute Quartet in G Minor, TWV 43 g4: I. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 3 | 1A | 122 BPM | ||
Courante La Boucon | Jacques Duphly, Elisabeth Joyé | B♭ Minor | 3 | 3A | 136 BPM | ||
English Suite No. 4 in F Major, BWV 809: IV. Sarabande | Johann Sebastian Bach, Christiane Jaccottet | A♭ Major | 1 | 4B | 118 BPM | ||
Overture for Flute and Bassoon in G Major: VII. Air | Christoph Graupner, Pál Németh, Paolo Tognon, Capella Savaria | F♯ Major | 2 | 2B | 131 BPM | ||
Six Sonates melees de pieces, Op. 2 No. 2, Flute Sonata in D Minor, "Le Vibray": II. Allemanda. Allegro | Michel Blavet, Rachel Brown, Mark Caudle, James Johnstone | C Minor | 1 | 5A | 99 BPM | ||
Harpsichord Suite No. 3 in A Minor: III. Courante | Élisabeth Jacquet de La Guerre, Daniela Dolci | A♭ Minor | 3 | 1A | 95 BPM | ||
Concerto Op. 3 No. 11 in D Minor for 2 violins & violoncello: III. Allegro | Antonio Vivaldi, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 3 | 12A | 119 BPM |
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