Hector Berlioz, Cleveland Orchestra, Lorin Maazel's 'Symphonie fantastique Op. 14, H. 48: IV. Marche au supplice. Allegretto non troppo' came out on 1961. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 12 in Fright Night: Music That Goes Bump in the Night by The Philadelphia Orchestra, The Cleveland Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Symphonie fantastique Op. 14, H. 48: IV. Marche au supplice. Allegretto non troppo is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Symphonie fantastique Op. 14, H. 48: IV. Marche au supplice. Allegretto non troppo by Hector Berlioz, Cleveland Orchestra, Lorin Maazel is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Respighi: Pini di Roma, P. 141: IV. I pini della Via Appia | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | B Major | 2 | 1B | 87 BPM | ||
Les Troyens, Op. 29, H 133, Act IV: No. 33c - Pas d'esclaves Nubiennes (ballet) | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Major | 2 | 8B | 77 BPM | ||
Symphony in C: I. Moderato alla breve | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Major | 2 | 9B | 85 BPM | ||
Cello Concerto No.1, Op.107: 1. Allegretto | Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich | G Minor | 2 | 6A | 126 BPM | ||
Pictures at an Exhibition: The Old Castle | Modest Mussorgsky, George Szell, Cleveland Orchestra | D♭ Major | 0 | 3B | 79 BPM | ||
The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, Lorin Maazel, L'Orchestre National de France, Orchestre National De France | A♭ Major | 0 | 4B | 139 BPM | ||
Carmen Suite: VIII. Bolero (after G. Bizet): Introduction | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | D♭ Major | 0 | 3B | 99 BPM | ||
Hungarian Dances, WoO 1: No. 1 in G Minor | Johannes Brahms, Cristian Mandeal, George Enescu Philharmonic Orchestra, Bucharest | G Minor | 2 | 6A | 73 BPM | ||
The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | F Minor | 0 | 4A | 174 BPM | ||
Carmen Suite No. 1: 3. Intermezzo | Georges Bizet, Orchestre de Paris, Semyon Bychkov | B♭ Major | 0 | 6B | 74 BPM |
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