"Mass in E-Flat Major, Op. 109, "Cantus Missae": V. Benedictus" by Josef Rheinberger, Charles Bruffy, Phoenix Bach Choir, Kansas City Chorale was released on October 1, 2007. The duration of Mass in E-Flat Major, Op. 109, "Cantus Missae": V. Benedictus is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Mass in E-Flat Major, Op. 109, "Cantus Missae": V. Benedictus's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Rheinberger: Oster-Hymne, Vier sechsstimmige Motetten & Mass". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Mass in E-Flat Major, Op. 109, "Cantus Missae": V. Benedictus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mass in E-Flat Major, Op. 109, "Cantus Missae": V. Benedictus by Josef Rheinberger, Charles Bruffy, Phoenix Bach Choir, Kansas City Chorale having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Chansons: No. 6. Verger | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 3 | 5A | 133 BPM | ||
Wie liegt die Stadt so wust | Rudolf Mauersberger, Sospiri, Christopher Watson | B♭ Minor | 0 | 3A | 145 BPM | ||
Mass No. 2 in G Major, D. 167: I. Kyrie | Franz Schubert, Barbara Bonney, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper | F Major | 1 | 7B | 116 BPM | ||
Introitus: I. Requiem aeternam | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM | ||
Präludium und Fuge, Op. 33: I. Präludium | Josef Rheinberger, Jurg Hanselmann | B Minor | 0 | 10A | 112 BPM | ||
Josquin: Missa Gaudeamus - 05. Qui Tollis Peccata Mundi, Miserere | The Tallis Scholars, Peter Phillips | A♭ Minor | 1 | 1A | 83 BPM | ||
Am Morgen | Alexander Därr | D Major | 0 | 10B | 112 BPM | ||
Jephte: Plorate, filii Israel | Giacomo Carissimi, Ängby Chamber Choir, Anders Colldén | F Minor | 1 | 4A | 71 BPM | ||
St. Matthew Passion, BWV 244 - Rev. Elgar, Atkins / Pt. Two: Chorus: "O Sacred Head Surrounded" | Johann Sebastian Bach, The Bach Choir, Thames Chamber Orchestra, Sir David Willcocks | F Major | 1 | 7B | 104 BPM | ||
Preserve, O Lord, for Many Years, Op. 79 | Alexander Gretchaninov, Conspirare, Craig Hella Johnson | C Major | 3 | 8B | 93 BPM |
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