"Eine Nacht in Venedig, Act I: Act I: Sei mir gegrusst, du holdes Venezia! (Duke)" by Johann Strauss II, Herbert Lippert, Morbisch Festival Orchestra, Andreas Schuller was released on October 9, 2015. The duration of Eine Nacht in Venedig, Act I: Act I: Sei mir gegrusst, du holdes Venezia! (Duke) is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Eine Nacht in Venedig, Act I: Act I: Sei mir gegrusst, du holdes Venezia! (Duke)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Strauss II: Eine Nacht in Venedig". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. Eine Nacht in Venedig, Act I: Act I: Sei mir gegrusst, du holdes Venezia! (Duke) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Eine Nacht in Venedig, Act I: Act I: Sei mir gegrusst, du holdes Venezia! (Duke) by Johann Strauss II, Herbert Lippert, Morbisch Festival Orchestra, Andreas Schuller having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salute D'Amour | Edward Elgar, Ilmar Lapinsch, Mostar Sinfonie Orchester | E Major | 1 | 12B | 128 BPM | ||
Italian Polka | Sergei Rachmaninoff, Jan Valta, Philharmonic Wind Orchestra, Marc Reift | F Minor | 7 | 4A | 154 BPM | ||
Wagner: Die Meistersinger von Nürnberg, Act I: Prelude | Richard Wagner, Mariss Jansons, Oslo Philharmonic Orchestra | C Major | 3 | 8B | 97 BPM | ||
Das Rheingold: Einzug der Götter in Walhall | Richard Wagner, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel | D♭ Major | 1 | 3B | 76 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Beethoven: Egmont, Op. 84: Overture | Ludwig van Beethoven, Kurt Masur, New York Philharmonic | A♭ Major | 3 | 4B | 106 BPM | ||
Water Music: Suite No. 2 in D Major, HWV 349, II. Alla Hornpipe | George Frideric Handel, Pierre Boulez, New York Philharmonic | D Major | 2 | 10B | 99 BPM | ||
Tannhäuser, WWV 70 / Act 2: "Dich, teure Halle, grüß ich wieder" | Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | E Minor | 2 | 9A | 169 BPM | ||
Sinfonia in C major, RV 112: I. Allegro | Karoly Botvay | G Major | 2 | 9B | 119 BPM | ||
Tannhauser, Act II: Einzug der Gaste auf der Warburg | Richard Wagner, Budapest Symphony Orchestra, György Lehel | B Major | 1 | 1B | 130 BPM |
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