"Kicho" by Astor Piazzolla, Wies de Boevé, Tomoko Takahashi was released on October 7, 2016. Since Kicho is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wies de Boevé, Tomoko Takahashi's "Glière, Bottesini, Jongen, Hauta-aho & Piazzolla: Chamber Works" album is number 9 out of 9. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Kicho's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kicho by Astor Piazzolla, Wies de Boevé, Tomoko Takahashi to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tzigane, M. 76 (Version for Violin & Orchestra) | Maurice Ravel, Itzhak Perlman, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 90 BPM | ||
Fantasia in D Minor, K.397 | Wolfgang Amadeus Mozart, Kristian Bezuidenhout | G Major | 1 | 9B | 129 BPM | ||
4 Estaciones Porteñas (Arr. P. von Wienhardt for Violin & Orchestra): III. Primavera Porteña | Astor Piazzolla, Arabella Steinbacher, Munich Chamber Orchestra, Džeraldas Bidva | G Minor | 2 | 6A | 126 BPM | ||
String Quartet No. 5 in C Major, Op. 29, "Serenade": II. Ballata. Allegretto scherzando | Wilhelm Stenhammar, Stenhammar Quartet | A Minor | 1 | 8A | 131 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM | ||
Ständchen, D. 889 | Franz Schubert, Tanguy de Williencourt, Bruno Philippe | D Major | 0 | 10B | 76 BPM | ||
Piazzolla: Oblivion | Astor Piazzolla, Camille Berthollet, Roberto Forés Veses, Orchestre d'Auvergne | C Minor | 3 | 5A | 90 BPM | ||
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
Sonata In A Major For Violin & Piano, FWV 8: 1. Allegretto ben moderato | César Franck, Duo Gazzana | A Major | 0 | 11B | 68 BPM | ||
Paganini variations: Variation 9 | Eugène Ysaÿe, Laurent Korcia, Haruko Ueda | D♭ Minor | 0 | 12A | 105 BPM |
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