"Mussorgsky / Arr. Rimsky - Korsakov: Night on Bald Mountain: Allegro feroce - Poco meno mosso" by Modest Mussorgsky, Royal Philharmonic Orchestra, Georges Prêtre was released on 1988. Since Mussorgsky / Arr. Rimsky - Korsakov: Night on Bald Mountain: Allegro feroce - Poco meno mosso is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 33 in the song's album "The Classic Experience". In this album, this song's track order is #5. In terms of popularity, Mussorgsky / Arr. Rimsky - Korsakov: Night on Bald Mountain: Allegro feroce - Poco meno mosso is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mussorgsky / Arr. Rimsky - Korsakov: Night on Bald Mountain: Allegro feroce - Poco meno mosso by Modest Mussorgsky, Royal Philharmonic Orchestra, Georges Prêtre having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Boris Godunov / Act 3: "Skučno, Marine ... Kak tomitel'no i vyalo" | Modest Mussorgsky, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | C Major | 1 | 8B | 107 BPM | ||
Symphony No. 2: II. Allegro molto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | F Major | 1 | 7B | 146 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: II. Andantino in moto di canzone | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | B♭ Minor | 0 | 3A | 82 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Piano Concerto in F-Sharp Minor, Op. 20: I. Allegro | Alexander Scriabin, Konstantin Scherbakov, Moscow Symphony Orchestra, Igor Golovschin | D Major | 1 | 10B | 84 BPM | ||
Tahiti Trot, Op. 16 (orchestral transcription of Youmans' Tea for Two): Taiti Trot (Tahiti Trot), Op. 16 (arr. of V. Youmans - Tea for Two) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A♭ Major | 1 | 4B | 138 BPM | ||
Mussorgsky: Boris Godunov, Act 1: Song of the Hostess. "Poymala ya siza seleznya" (The Hostess, Varlaam, Misail) | Modest Mussorgsky, Issay Dobrowen, André Bielecki, Boris Christoff, Lydia Romanova, Orchestre National Radiodiffusion Française | E♭ Major | 1 | 5B | 88 BPM |
Section: 1.0221784114837646
End: 1.0260875225067139