"Der Rosenkavalier, Op. 59, TrV 227 / Act 1: Introduction" by Richard Strauss, Staatskapelle Dresden, Karl Böhm was released on December 31, 2021. The duration of Der Rosenkavalier, Op. 59, TrV 227 / Act 1: Introduction is about 3 minutes long, at 3:17. Based on our data, "Der Rosenkavalier, Op. 59, TrV 227 / Act 1: Introduction" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Strauss II's "Happy New Year - Classical Music" album is number 35 out of 123. Der Rosenkavalier, Op. 59, TrV 227 / Act 1: Introduction is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Der Rosenkavalier, Op. 59, TrV 227 / Act 1: Introduction by Richard Strauss, Staatskapelle Dresden, Karl Böhm to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM | ||
Souvenir d'un lieu cher, Op. 42: 1. Meditation | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | B♭ Major | 1 | 6B | 114 BPM | ||
Concertstück in F Major, Op. 86: II. Romanze. Ziemlich langsam | Robert Bonnevie, Mark Robbins, David C. Knapp, Scott Wilson, Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | B♭ Major | 0 | 6B | 84 BPM | ||
La traviata / Act 3: Prelude | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | A♭ Major | 0 | 4B | 135 BPM | ||
Salome, Op. 54 / Scene 2: "Jauchze nicht, du Land Palästina" | Richard Strauss, Cheryl Studer, Marianne Rorholm, Bryn Terfel, Clemens Bieber, Bengt Rundgren, William Murray, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | A♭ Major | 3 | 4B | 128 BPM | ||
Carmen Suite No. 1: 4. Les dragons d'Alcala | Georges Bizet, Orchestre de Paris, Semyon Bychkov | G Major | 0 | 9B | 117 BPM | ||
Eine Alpensinfonie, Op. 64, TrV 233: IV. Eintritt in den Wald | Richard Strauss, Andrés Orozco-Estrada, Hr-sinfonieorchester | A♭ Major | 1 | 4B | 139 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
Première rhapsodie, L. 116: Rêveusement lent | Claude Debussy, Franklin Cohen, Cleveland Orchestra, Pierre Boulez | E♭ Minor | 0 | 2A | 109 BPM |
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