- BPM
- 86
- Key
- E Major
- Camelot
- 12B
Teil 12 - Die Hexe und der Maestro - Eine märchenhafte Orchestergeschichte von Howard Griffiths - Howard Griffiths, Carmen-Maja Antoni Information
- Acousticness
- 89%
- Danceability
- 32%
- Energy
- 23%
- Instrumentalness
- 0%
- Liveness
- 13%
- Loudness
- 67%
- Speechiness
- 30%
- Valence
- 12%
- Popularity
- 0%
- Loudness
- -19.676 dB
Summary
"Teil 12 - Die Hexe und der Maestro - Eine märchenhafte Orchestergeschichte von Howard Griffiths" by Howard Griffiths, Carmen-Maja Antoni had its release date on June 1, 2012. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 15 in Die Hexe und der Maestro - Eine märchenhafte Orchestergeschichte von Howard Griffiths by Howard Griffiths. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Teil 12 - Die Hexe und der Maestro - Eine märchenhafte Orchestergeschichte von Howard Griffiths is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Teil 12 - Die Hexe und der Maestro - Eine märchenhafte Orchestergeschichte von Howard Griffiths BPM
The tempo marking of Teil 12 - Die Hexe und der Maestro - Eine märchenhafte Orchestergeschichte von Howard Griffiths by Howard Griffiths, Carmen-Maja Antoni is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Teil 12 - Die Hexe und der Maestro - Eine märchenhafte Orchestergeschichte von Howard Griffiths Key
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Water Music, Suite No. 1, HWV 348: No. 2, Adagio e staccato | George Frideric Handel, Akademie für Alte Musik Berlin | A Major | 0 | 11B | 35 BPM | |
 | Overture (Suite) No. 2 in B Minor, BWV 1067: V. Polonaise - Double | Johann Sebastian Bach, Akademie für Alte Musik Berlin | B♭ Minor | 0 | 3A | 125 BPM | |
 | Piano Sonata No. 3 in B Minor, Op. 58: III. Largo | Frédéric Chopin, Mitsuko Uchida | D♭ Major | 0 | 3B | 71 BPM | |
 | Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | |
 | String Quartet in D Minor, Op. posth. D.810 "Death and the Maiden": III. Scherzo. Allegro molto | Franz Schubert, Jerusalem Quartet | A Major | 1 | 11B | 139 BPM | |
 | ヴァイオリン協奏曲 ニ長調 Op. 77: II. Adagio | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | C Major | 1 | 8B | 67 BPM | |
 | Dreams of a River | Mahir Cetiz, Howard Griffiths, Deutsches Symphonie-Orchester Berlin | F♯ Major | 1 | 2B | 78 BPM | |
 | String Quintet In C, D. 956: 3. Scherzo (Presto) - Trio (Andante sostenuto) | Franz Schubert, Mstislav Rostropovich, Emerson String Quartet | C Major | 2 | 8B | 107 BPM | |
 | Piano Concerto No. 1 in G Minor, Op. 25, MWV O7: 1. Molto allegro con fuoco | Felix Mendelssohn, Jan Lisiecki, Orpheus Chamber Orchestra | A♭ Major | 2 | 4B | 80 BPM | |
 | Enstantaneler: No. 5, Bayram | Cemal Reşit Rey, Howard Griffiths, Deutsches Symphonie-Orchester Berlin | D Minor | 1 | 7A | 94 BPM |
- ISRC
- DEZZ42184785
- Label
- L-M Records/RCA Records