Johann Strauss II, Johann Strauss Orchestra, Jack Rothstein made "Der Lustige Krieg, Op. 402: II. Eté" available on May 1, 1987. With Der Lustige Krieg, Op. 402: II. Eté being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Vienna Premiere, Vol. 2 by Johann Strauss Orchestra, Jack Rothstein, Marilyn Hill Smith. The song's track number on the album is #5 out of 17 tracks. In terms of popularity, Der Lustige Krieg, Op. 402: II. Eté is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Der Lustige Krieg, Op. 402: II. Eté by Johann Strauss II, Johann Strauss Orchestra, Jack Rothstein has a tempo of 106 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Der Lustige Krieg, Op. 402: II. Eté being at 106 BPM, the half-time would be 53 BPM with a double-time of 212 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kanon Galop (1853) | Hans Christian Lumbye, Tivoli Symphony Orchestra | E Major | 4 | 12B | 150 BPM | ||
Carmen Suite No. 1: 5. Les toréadors | Georges Bizet, Orchestre de Paris, Semyon Bychkov | F Major | 4 | 7B | 127 BPM | ||
Orphee aux enfers (Orpheus in the Underworld): Orpheus in the Underworld: Can-Can (Peter's Friend) | Jacques Offenbach, Razumovsky Symphony Orchestra, Long Yu | D Major | 3 | 10B | 151 BPM | ||
Prokofiev: Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets (Excerpt) | Sergei Prokofiev, Philadelphia Orchestra, Riccardo Muti | A Minor | 3 | 8A | 108 BPM | ||
Love Songs Waltz, Op. 11: Liebeslieder | Orchestra of the Viennese Volksoper & Alfred Scholz | D Major | 1 | 10B | 191 BPM | ||
Gayaneh: Sabre Dance | Aram Khachaturian, Valery Gergiev, Mariinsky Orchestra | C Major | 6 | 8B | 98 BPM | ||
Autumn (L'Automno) Op.8 No.3 Major: Allegro | Baroque Festival Orchestra, Alberto Lizzio | F Major | 0 | 7B | 104 BPM | ||
The Sleeping Beauty, Act I, Op. 66: No. 6, Waltz | State Academic Symphony Orchestra of the USSR, Yevgeny Svetlanov | B♭ Major | 2 | 6B | 103 BPM | ||
Carmen, Act IV, No.26 Marche et Choeur: Les voici! Voici le quadrille! (Choeurs/Enfants) | Georges Bizet, Choeur Les Elements, Orchestre National Du Capitole De Toulouse, Michel Plasson, Wolff | D♭ Minor | 2 | 12A | 93 BPM | ||
Guillaume Tell: Overture | Gioachino Rossini, Leonard Bernstein, New York Philharmonic | E Major | 2 | 12B | 96 BPM |
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