The Magic Flute, Chor der drei Grazien: Bald prangt der Morgen zu verkuenden
Jugendchor und Orchester Mönchen-Gladbach
The Magic Flute (Zauberflöte); The Marriage Of Figaro (Die Hochzeit des Figaro); Iomeneo - Cosi Fan Tutte
1:31 1998
BPM
74
Key
E♭ Major
Camelot
5B

Embed

Share Link

The Magic Flute, Chor der drei Grazien: Bald prangt der Morgen zu verkuenden - Jugendchor und Orchester Mönchen-Gladbach Information

Acousticness
99%
Danceability
25%
Energy
4%
Instrumentalness
1%
Liveness
9%
Loudness
58%
Speechiness
4%
Valence
10%
Popularity
Loudness
-24.963 dB

Summary

"The Magic Flute, Chor der drei Grazien: Bald prangt der Morgen zu verkuenden" by Jugendchor und Orchester Mönchen-Gladbach was released on 1998. With The Magic Flute, Chor der drei Grazien: Bald prangt der Morgen zu verkuenden being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "The Magic Flute (Zauberflöte); The Marriage Of Figaro (Die Hochzeit des Figaro); Iomeneo - Cosi Fan Tutte". In this album, this song's track order is #4. The Magic Flute, Chor der drei Grazien: Bald prangt der Morgen zu verkuenden is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Magic Flute, Chor der drei Grazien: Bald prangt der Morgen zu verkuenden BPM

With The Magic Flute, Chor der drei Grazien: Bald prangt der Morgen zu verkuenden by Jugendchor und Orchester Mönchen-Gladbach having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.

The Magic Flute, Chor der drei Grazien: Bald prangt der Morgen zu verkuenden Key

This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Bizet: Carmen, Act 2: Bizet: Carmen, Act 2: "Toréador, en garde" (Amis d'Escamillo)Georges Bizet, Sir Simon Rattle, Berliner Philharmoniker, Kostas SmoriginasF Major17B115 BPM
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: II. Serenata (Mentre l'erbetta) by Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, Sam FurnessPulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: II. Serenata (Mentre l'erbetta)Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, Sam FurnessG Minor06A140 BPM
Adams: Girls of the Golden West, Act I Scene 2: My name is Joe by John Adams, Los Angeles Philharmonic, Daniela Mack, Hye Jung Lee, Paul Appleby, Ryan McKinnyAdams: Girls of the Golden West, Act I Scene 2: My name is JoeJohn Adams, Los Angeles Philharmonic, Daniela Mack, Hye Jung Lee, Paul Appleby, Ryan McKinnyA Major011B79 BPM
Kitkat katkat by Axel Tornudd, Stockholms Studentsångare, Einar RalfKitkat katkatAxel Tornudd, Stockholms Studentsångare, Einar RalfG Major39B182 BPM
Haugtussa, Op. 67: V. Elsk by Charlotte Hoather, George TodicaHaugtussa, Op. 67: V. ElskCharlotte Hoather, George TodicaC Major28B104 BPM
6 Songs from A Shropshire Lad: No. 2. When I was one-and-twenty by George Butterworth, Roderick Williams, Iain Burnside6 Songs from A Shropshire Lad: No. 2. When I was one-and-twentyGeorge Butterworth, Roderick Williams, Iain BurnsideB Minor110A165 BPM
5 mélodies populaires grecques: No. 3, Quel galant m'est comparable by Radio Bratislava Symphony Orchestra, Paulina Stark, Dennis Burkh5 mélodies populaires grecques: No. 3, Quel galant m'est comparableRadio Bratislava Symphony Orchestra, Paulina Stark, Dennis BurkhG Major19B0 BPM
Die Csardasfurstin (The Gypsy Princess): Act I: Lied: Heia, heia, in den Bergen ist mein Heimatland (Sylva, Boni, Feri and Chorus) by Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard BonyngeDie Csardasfurstin (The Gypsy Princess): Act I: Lied: Heia, heia, in den Bergen ist mein Heimatland (Sylva, Boni, Feri and Chorus)Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard BonyngeF Major37B141 BPM
H.M.S. Pinafore / Act 2: A joy! Oh rapture unforseen by Arthur Sullivan, The D'Oyly Carte Opera Company, Joyce Wright, Thomas Round, Donald Adams, Jeffrey Skitch, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore GodfreyH.M.S. Pinafore / Act 2: A joy! Oh rapture unforseenArthur Sullivan, The D'Oyly Carte Opera Company, Joyce Wright, Thomas Round, Donald Adams, Jeffrey Skitch, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore GodfreyF Major37B200 BPM
Four Last Songs, Op. posth., TrV 296: III. Beim Schlafengehen by Richard Strauss, Jaime Martin, Siobhan Stagg, Melbourne Symphony OrchestraFour Last Songs, Op. posth., TrV 296: III. Beim SchlafengehenRichard Strauss, Jaime Martin, Siobhan Stagg, Melbourne Symphony OrchestraF Major17B67 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.907351016998291

End: 0.9111137390136719