"The Magic Flute, Chor der drei Grazien: Bald prangt der Morgen zu verkuenden" by Jugendchor und Orchester Mönchen-Gladbach was released on 1998. With The Magic Flute, Chor der drei Grazien: Bald prangt der Morgen zu verkuenden being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "The Magic Flute (Zauberflöte); The Marriage Of Figaro (Die Hochzeit des Figaro); Iomeneo - Cosi Fan Tutte". In this album, this song's track order is #4. The Magic Flute, Chor der drei Grazien: Bald prangt der Morgen zu verkuenden is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Magic Flute, Chor der drei Grazien: Bald prangt der Morgen zu verkuenden by Jugendchor und Orchester Mönchen-Gladbach having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bizet: Carmen, Act 2: "Toréador, en garde" (Amis d'Escamillo) | Georges Bizet, Sir Simon Rattle, Berliner Philharmoniker, Kostas Smoriginas | F Major | 1 | 7B | 115 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: II. Serenata (Mentre l'erbetta) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, Sam Furness | G Minor | 0 | 6A | 140 BPM | ||
Adams: Girls of the Golden West, Act I Scene 2: My name is Joe | John Adams, Los Angeles Philharmonic, Daniela Mack, Hye Jung Lee, Paul Appleby, Ryan McKinny | A Major | 0 | 11B | 79 BPM | ||
Kitkat katkat | Axel Tornudd, Stockholms Studentsångare, Einar Ralf | G Major | 3 | 9B | 182 BPM | ||
Haugtussa, Op. 67: V. Elsk | Charlotte Hoather, George Todica | C Major | 2 | 8B | 104 BPM | ||
6 Songs from A Shropshire Lad: No. 2. When I was one-and-twenty | George Butterworth, Roderick Williams, Iain Burnside | B Minor | 1 | 10A | 165 BPM | ||
5 mélodies populaires grecques: No. 3, Quel galant m'est comparable | Radio Bratislava Symphony Orchestra, Paulina Stark, Dennis Burkh | G Major | 1 | 9B | 0 BPM | ||
Die Csardasfurstin (The Gypsy Princess): Act I: Lied: Heia, heia, in den Bergen ist mein Heimatland (Sylva, Boni, Feri and Chorus) | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | F Major | 3 | 7B | 141 BPM | ||
H.M.S. Pinafore / Act 2: A joy! Oh rapture unforseen | Arthur Sullivan, The D'Oyly Carte Opera Company, Joyce Wright, Thomas Round, Donald Adams, Jeffrey Skitch, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | F Major | 3 | 7B | 200 BPM | ||
Four Last Songs, Op. posth., TrV 296: III. Beim Schlafengehen | Richard Strauss, Jaime Martin, Siobhan Stagg, Melbourne Symphony Orchestra | F Major | 1 | 7B | 67 BPM |
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