"A Hermit Thrush at Morn, Op. 92 No. 2" by Amy Beach, Finghin Collins was released on November 11, 2022. With this song being about 5 minutes long, at 4:49, "A Hermit Thrush at Morn, Op. 92 No. 2" by Amy Beach, Finghin Collins is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "The bright day is done". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Switzerland. Based on our statistics, A Hermit Thrush at Morn, Op. 92 No. 2's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With A Hermit Thrush at Morn, Op. 92 No. 2 by Amy Beach, Finghin Collins having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
2 Aquarelles: Lento, ma non troppo | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | B♭ Major | 1 | 6B | 72 BPM | ||
Over the Mountains High (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | C Major | 0 | 8B | 71 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Jorge Federico Osorio | F♯ Minor | 0 | 11A | 75 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Suite for 2 Pianos Founded upon Old Irish Melodies, Op. 104: I. Prelude | Amy Beach, Genova and Dimitrov Piano Duo | F Major | 1 | 7B | 123 BPM | ||
Hymn - 2001 | Valentin Silvestrov, Stuttgart Chamber Orchestra, Thomas Sanderling | B♭ Major | 0 | 6B | 74 BPM | ||
Pastorale | Germaine Tailleferre, Jean-Louis Beaumadier, Jacques Raynaut | C Major | 0 | 8B | 72 BPM | ||
Variations on a Theme of Chopin, Op. 22: Variation No. 16 Lento | Sergei Rachmaninoff, Daniil Trifonov | D♭ Major | 0 | 3B | 177 BPM |
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