Arcangelo Corelli, Academy of St. Martin in the Fields, Sir Neville Marriner's ' "Concerto grosso in C, Op.6, No.10: 2. Allemanda (Allegro)" was released on its scheduled release date, January 1, 1974. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Concerto grosso in C, Op.6, No.10: 2. Allemanda (Allegro)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 46 in Corelli: Concerti Grossi, Op.6 by Arcangelo Corelli, Academy of St. Martin in the Fields, Sir Neville Marriner. Based on our statistics, Concerto grosso in C, Op.6, No.10: 2. Allemanda (Allegro)'s popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Concerto grosso in C, Op.6, No.10: 2. Allemanda (Allegro) by Arcangelo Corelli, Academy of St. Martin in the Fields, Sir Neville Marriner is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto a violono e viola da gamba in C Minor, GraunWV A:XIII:3: III. Allegro | Johann Gottlieb Graun, Ensemble Baroque De Limoges, Christophe Coin, Gilles Colliard | B Minor | 2 | 10A | 120 BPM | ||
Mystery (Rosary) Sonata No. 5, "The 12-Year-Old Jesus in the Temple": III. Gigue | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 2 | 4B | 76 BPM | ||
Fasch : Symphony in G major : IV Presto | Johann Friedrich Fasch, Jean-François Paillard & Orchestre de Chambre Jean-François Paillard, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | D Major | 2 | 10B | 129 BPM | ||
Concerto Grosso in D Major, Op. 6, No. 1: II. Allegro | Arcangelo Corelli, Franz Liszt Chamber Orchestra, János Rolla | F Major | 0 | 7B | 72 BPM | ||
Violin Sonata in C Major, Wq. 73, H. 504: III. Allegretto | Carl Philipp Emanuel Bach, Georg Kallweit, Christine Schornsheim | F♯ Major | 2 | 2B | 169 BPM | ||
Symphony in G Major, Op. 3 No. 1, WolS G2: II. Andante non adagio | Johann Stamitz, Musica Viva, Alexander Rudin | F♯ Major | 0 | 2B | 125 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: I. Preludio: Andante Largo | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Concerto for 2 Oboes in F Major, Op. 9, No. 3: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | F Major | 3 | 7B | 112 BPM | ||
Bassoon Concerto in A Minor, RV 497: II. Andante molto | Antonio Vivaldi, Academy of St. Martin in the Fields (orchestra); Gustavo Núñez (bassoon); Tomo Keller (musical direc, Gustavo Núñez, Tomo Keller | E Minor | 1 | 9A | 77 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM |