"Gianni Schicchi: O mio babbino caro" by Hayley Westenra, Royal Philharmonic Orchestra, Stephen Hussey was released on October 27, 2008. The duration of Gianni Schicchi: O mio babbino caro is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Gianni Schicchi: O mio babbino caro's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "River Of Dreams - The Very Best of Hayley Westenra". In this album, this song's track order is #14. Gianni Schicchi: O mio babbino caro is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gianni Schicchi: O mio babbino caro by Hayley Westenra, Royal Philharmonic Orchestra, Stephen Hussey having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
West Side Story: Somewhere | Leonard Bernstein, Nadine Sierra, Royal Philharmonic Orchestra, Robert Spano | F Major | 2 | 7B | 174 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima...Eccola!" | Gaetano Donizetti, Giuseppe Di Stefano, Hilde Gueden, Orchestra del Maggio Musicale Fiorentino, Francesco Molinari-Pradelli | F Minor | 1 | 4A | 125 BPM | ||
Puccini: La rondine, Act 1: "Chi il bel sogno di Doretta" (Magda) | Giacomo Puccini, Kiri Te Kanawa, Kent Nagano, Orchestre de l'Opéra de Lyon | F Major | 2 | 7B | 168 BPM | ||
Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesple, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi, che sapete che cosa è amor" (Cherubino) | Wolfgang Amadeus Mozart, Riccardo Muti, Ann Murray, Wiener Philharmoniker | B♭ Major | 1 | 6B | 111 BPM | ||
Strauss, R: 4 Letzte Lieder: No. 3, Beim Schlafengehen | Richard Strauss, Lucia Popp, Klaus Tennstedt, London Philharmonic Orchestra | G Major | 1 | 9B | 87 BPM | ||
Die tote Stadt / Act 1: Glück, das mir verblieb (Mariettalied) | Erich Wolfgang Korngold, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 1 | 6B | 88 BPM | ||
Gianni Schicchi (Oper in 1 Akt) | Mirella Freni | A♭ Major | 2 | 4B | 174 BPM | ||
La Rondine / Act 1: "Chi il bel sogno di Doretta" | Giacomo Puccini, Renata Tebaldi, New Philharmonia Orchestra, Oliviero de Fabritiis | B♭ Minor | 4 | 3A | 150 BPM | ||
Gluck: Orphée et Eurydice, Act 3: "J'ai perdu mon Eurydice" (Orphée) | Christoph Willibald Gluck, Susan Graham, Harry Bicket, Orchestra of the Age of Enlightenment | E Minor | 1 | 9A | 79 BPM |
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