George Frideric Handel, Choir of King's College, Cambridge, Brandenburg Consort, Roy Goodman, Alastair Ross, James Vivian, Angela East, Stephen Cleobury's ' "Israel In Egypt, HWV 54 / Exodus: 21. He smote all the first-born of Egypt" was released on its scheduled release date, April 11, 2000. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Israel In Egypt, HWV 54 / Exodus: 21. He smote all the first-born of Egypt's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Choir of King's College, Cambridge, Brandenburg Consort, Stephen Cleobury's "Handel: Israel in Egypt" album is number 21 out of 48. Israel In Egypt, HWV 54 / Exodus: 21. He smote all the first-born of Egypt is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Israel In Egypt, HWV 54 / Exodus: 21. He smote all the first-born of Egypt by George Frideric Handel, Choir of King's College, Cambridge, Brandenburg Consort, Roy Goodman, Alastair Ross, James Vivian, Angela East, Stephen Cleobury to be Lento (slowly) because the track has a tempo of 59 BPM, a half-time of 30BPM, and a double-time of 118 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | ||
Mozart: Zaide, K. 344/336b, Act 1 Scene 3: No. 3, Arie, "Ruhe sanft, mein holdes Leben" (Zaide) | Wolfgang Amadeus Mozart, Natalie Dessay, Orchestra of the Age of Enlightenment, Louis Langrée | G Major | 1 | 9B | 166 BPM | ||
Symphony for Flute, Oboe, Horn and Strings in D Major: III. Presto | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 78 BPM | ||
Concerto No. 4 in G major, BWV 1049: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester | F Major | 2 | 7B | 99 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, David Zinman | C Minor | 0 | 5A | 173 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Concerto grosso In F, Op.6, No.9 HWV 327: 2. Allegro | George Frideric Handel, Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, The English Concert | E Major | 2 | 12B | 125 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM |