Johann Hanns Schrammel, Berlin Philharmonic Wind Ensemble, Herbert von Karajan made "Wien bleibt Wien" available on January 1, 1998. The duration of Wien bleibt Wien is about 3 minutes long, at 3:00. Based on our data, "Wien bleibt Wien" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "Radetzky-Marsch". In this album, this song's track order is #3. In terms of popularity, Wien bleibt Wien is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Wien bleibt Wien by Johann Hanns Schrammel, Berlin Philharmonic Wind Ensemble, Herbert von Karajan having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Merry Widow (Die lustige Witwe) / Act 1: Ballsirenenwalzer | Franz Lehár, Heinz Hoppe, Grosses Operetten Orchester, Franz Marszalek | G Major | 4 | 9B | 95 BPM | ||
Lyric Waltz from Jazz Suite No. 2 Dmitri Shostakovich/johan De Meij | Johan de Meij | C Minor | 1 | 5A | 81 BPM | ||
Gräfin Mariza - Operetta in 3 Acts: Komm mit nach Varasdin | Emmerich Kálmán, Herta Talmar, Peter Alexander, Grosses Operetten Orchester, Franz Marszalek | D Major | 4 | 10B | 81 BPM | ||
The Barber of Seville: "Largo al factotum" - Instrumental | Gioachino Rossini, Andre Kostelanetz & His Orchestra | C Major | 5 | 8B | 115 BPM | ||
Fatinitza Marsch | Johann Strauss Orchester | G Major | 4 | 9B | 123 BPM | ||
See, the Conqu'ring Hero Come from Judas Maccabaeus | George Frideric Handel, E. Power Biggs, Sir Charles Groves, Royal Philharmonic Orchestra | G Major | 0 | 9B | 76 BPM | ||
Die Sirene, Polka Mazur, Op. 248 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Ernst Märzendorfer | D Major | 0 | 10B | 114 BPM | ||
Unter Donner und Blitz (Schnellpolka op.324) | German Brass | F Major | 3 | 7B | 172 BPM | ||
Handel: Music for the Royal Fireworks, HWV 351: I. Overture | George Frideric Handel, Menuhin Festival Orchestra, Yehudi Menuhin | D Major | 3 | 10B | 121 BPM | ||
The Merry Widow (Die lustige Witwe) / Act 2: Vilja-Lied | Franz Lehár, Ingeborg Hallstein, Grosses Operetten Orchester, Franz Marszalek | G Major | 3 | 9B | 77 BPM |
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