"7 Magnificat Antiphons: No. 1. O Weisheit" by Arvo Pärt, Latvian Radio Choir, Sigvards Kļava was released on September 9, 2016. With 7 Magnificat Antiphons: No. 1. O Weisheit being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 18 in Arvo Pärt: Da Pacem Domine by Arvo Pärt, Latvian Radio Choir, Sigvards Kļava. Going off of the ISRC code of this track, we detected that the origin of this track is from Finland. Based on our statistics, 7 Magnificat Antiphons: No. 1. O Weisheit's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 7 Magnificat Antiphons: No. 1. O Weisheit by Arvo Pärt, Latvian Radio Choir, Sigvards Kļava is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Spirit of God | Komitas, Latvian Radio Choir, Sigvards Kļava | A Major | 1 | 11B | 177 BPM | ||
Requiem: VI. Agnus Dei | Pierre de la Rue, Dominique Visse, Ensemble Clément Janequin | E♭ Minor | 1 | 2A | 63 BPM | ||
Von Angesicht zu Angesicht | Arvo Pärt, Vox Clamantis, Jaan-Eik Tulve, Toomas Vavilov, Johanna Vahermägi, Heikko Remmel | A Major | 0 | 11B | 133 BPM | ||
Weep, O mine eyes | John Bennet, Amarcord | A Minor | 1 | 8A | 121 BPM | ||
Como cierva sedienta: III | Arvo Pärt, Swedish Radio Symphony Orchestra, Tõnu Kaljuste, Swedish Radio Choir, Helena Olsson | A♭ Major | 1 | 4B | 82 BPM | ||
Ubi Caritas II (Through Infinite Ages) | Ola Gjeilo, Westminster Williamson Voices, James Jordan | C Major | 1 | 8B | 138 BPM | ||
The General | Martin Phipps, Latvian Radio Choir, BBC National Orchestra Of Wales | B♭ Minor | 0 | 3A | 66 BPM | ||
Ave Maria, WAB 6 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 65 BPM | ||
Threshold of Night | Tarik O'Regan, Craig Hella Johnson, Conspirare | B♭ Major | 0 | 6B | 79 BPM | ||
Sanctus | Jacob Clemens non Papa, The Monteverdi Choir, John Eliot Gardiner | D Major | 1 | 10B | 130 BPM |
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