"Recorder Concerto No. 1 in D Major: II. Adagio" by William Babell, Dan Laurin, Makoto Akatsu, Van Wassenaer Orchestra had its release date on January 31, 2000. With This song being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "Sammartini / Baston / Babell / Woodcock: Recorder Concertos". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Recorder Concerto No. 1 in D Major: II. Adagio is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Recorder Concerto No. 1 in D Major: II. Adagio by William Babell, Dan Laurin, Makoto Akatsu, Van Wassenaer Orchestra having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trios Pour Le Coucher Du Roi - Symphony | İzmir Barok | D♭ Minor | 4 | 12A | 121 BPM | ||
Telemann: Ouverture-Suite for Recorder and Strings in A Minor, TWV 55:a2: IV. Menuets I & II | Georg Philipp Telemann, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields | B♭ Major | 3 | 6B | 105 BPM | ||
Sinfonia à 7 in A Major: I. Ouverture - Presto | William Babell, Ensemble Odyssee | A♭ Major | 2 | 4B | 125 BPM | ||
Oboe Concerto, GWV 302: II. Tempo giusto | Christoph Graupner, Elisabeth Grümmer, Ensemble der »Bachkantaten in Vorarlberg« | F♯ Major | 0 | 2B | 79 BPM | ||
Guitar Quintet No. 4 in D Major, G. 448: I. Pastorale | Luigi Boccherini, José Miguel Moreno, La Real Cámara | A♭ Major | 0 | 4B | 110 BPM | ||
Concerto grosso in D Major, D-WD 538, After Sonata, Op. 5 No. 1 by Corelli: III. Allegro | Giovanni Benedetto Platti, Ensemble Cordia, Stefano Veggetti | B♭ Minor | 0 | 3A | 112 BPM | ||
Céphale et Procris, Prologue: Ouverture | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | F Minor | 1 | 4A | 75 BPM | ||
Sonata in G Minor, Z. 780: I. Adagio - Allegro - Largo - Vivace | Henry Purcell, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
26 Sonatas: No. 9, Violin Sonata in A Major, B.A1 / GT 2.A01: III. Allegro assai | Giuseppe Tartini, La Serenissima, Adrian Chandler | G Minor | 1 | 6A | 113 BPM | ||
Concerto grosso No. 1 in G Major, Op. 6/1, HWV 319: IV. Allegro | George Frideric Handel, Sir Neville Marriner, Norman Nelson, Gerald Jarvis, Anthony Howard, Kenneth Heath, John Churchill, Academy of St. Martin in the Fields | G Major | 1 | 9B | 97 BPM |