"3 Klavierstücke, Op. 11: No. 3, Bewegte Achtel" by Arnold Schoenberg, Glenn Gould was released on 1959. The duration of 3 Klavierstücke, Op. 11: No. 3, Bewegte Achtel is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. 3 Klavierstücke, Op. 11: No. 3, Bewegte Achtel's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Arnold Schoenberg, Glenn Gould's "Glenn Gould plays Schoenberg: Klavierstücke opp. 11, 19, 23, 33; Piano Suite op. 25; Piano Concerto op. 42; Fantasy for Violin & Piano op. 47; Ode to Napoleon Buonaparte op. 41; Lieder opp. 1; 2; 3; 6; 12; 14; 15; 48" album is number 3 out of 72. In terms of popularity, 3 Klavierstücke, Op. 11: No. 3, Bewegte Achtel is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 3 Klavierstücke, Op. 11: No. 3, Bewegte Achtel by Arnold Schoenberg, Glenn Gould to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite für Klavier, Op. 25: V. Gigue: Rasch | Arnold Schoenberg, Maurizio Pollini | F♯ Major | 0 | 2B | 99 BPM | ||
Widerstehe doch der Sünde, BWV 54 (Transcr. by Víkingur Ólafsson) | Johann Sebastian Bach, Víkingur Ólafsson | E♭ Major | 1 | 5B | 82 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | E Major | 1 | 12B | 83 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | C Minor | 0 | 5A | 177 BPM | ||
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM | ||
Japanese Suite, Op. 33: III. Dance of the Marionette | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 0 | 5A | 177 BPM | ||
Verklärte Nacht, Op. 4: III. Schwer betont | Arnold Schoenberg, Isabelle Faust, Anne-Katharina Schreiber, Antoine Tamestit, Danusha Waskiewicz, Jean-Guihen Queyras, Christian Poltera | D♭ Major | 0 | 3B | 98 BPM | ||
Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": Theme (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 113 BPM | ||
Holberg Suite, Op. 40: 2. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 75 BPM |
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