- BPM
- 131
- Key
- A Minor
- Camelot
- 8A
Romance in F Minor, Op. 11, B. 39 - Antonín Dvořák, Anne-Sophie Mutter, Berliner Philharmoniker, Manfred Honeck Information
- Acousticness
- 96%
- Danceability
- 27%
- Energy
- 5%
- Instrumentalness
- 80%
- Liveness
- 10%
- Loudness
- 58%
- Speechiness
- 4%
- Valence
- 5%
- Popularity
- 22%
- Loudness
- -24.957 dB
Summary
"Romance in F Minor, Op. 11, B. 39" by Antonín Dvořák, Anne-Sophie Mutter, Berliner Philharmoniker, Manfred Honeck was released on January 1, 2013. Romance in F Minor, Op. 11, B. 39 appears to be safe for all ages as it is not explicit. The song is number 4 out of 6 in Dvořák by Antonín Dvořák, Anne-Sophie Mutter, Berliner Philharmoniker, Manfred Honeck. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Romance in F Minor, Op. 11, B. 39's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Romance in F Minor, Op. 11, B. 39 BPM
The tempo marking of Romance in F Minor, Op. 11, B. 39 by Antonín Dvořák, Anne-Sophie Mutter, Berliner Philharmoniker, Manfred Honeck is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Romance in F Minor, Op. 11, B. 39 Key
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Salut d'amour, Op. 12 | Edward Elgar, Charlie Siem, Paul Goodwin | E Major | 1 | 12B | 95 BPM | |
 | Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | |
 | Miniatures, Op. 75a, B. 149: No. 1 in B-Flat Major, Cavatina. Moderato | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Karel Untermüller | D Major | 3 | 10B | 85 BPM | |
 | 8 Slavonic Dances, Op. 72, B. 147: No. 2 in E Minor (Allegretto grazioso) | Antonín Dvořák, Budapest Festival Orchestra, Iván Fischer | B♭ Major | 1 | 6B | 60 BPM | |
 | Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio (Excerpt) | Max Bruch, Yehudi Menuhin, Philharmonia Orchestra, Walter Susskind | E♭ Major | 1 | 5B | 105 BPM | |
 | Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | |
 | Piano Concerto No. 1 in D Minor, Op. 15: III. Rondo (Allegro non troppo) | Johannes Brahms, Krystian Zimerman, Berliner Philharmoniker, Sir Simon Rattle | D Major | 2 | 10B | 96 BPM | |
 | Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | |
 | Violin Concerto No.1 In G Minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 1 | 5B | 105 BPM | |
 | Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Los Angeles Philharmonic, Zubin Mehta | E♭ Major | 1 | 5B | 142 BPM |
- ISRC
- DEN961301430
- Label
- L-M Records/RCA Records
Section: 1.3142664432525635
End: 1.3197596073150635