Andrew Manze, Richard Egarr, Fred Jacobs's 'Opus 4 nr. 1, La Bernabea' came out on January 1, 1994. Since Opus 4 nr. 1, La Bernabea is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Andrew Manze's "G.A Pandolfi Mealli: Violin Sonatas" album is number 7 out of 10. Based on our statistics, Opus 4 nr. 1, La Bernabea's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Opus 4 nr. 1, La Bernabea by Andrew Manze, Richard Egarr, Fred Jacobs to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro | Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi | B Minor | 3 | 10A | 123 BPM | ||
Concerto a 5 in A ,Op.9, No.4 for Violin, Strings, and Continuo: 2. Adagio | Tomaso Albinoni, Andrew Manze, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 2 | 3B | 108 BPM | ||
The Seven Last Words of Christ, Hob.XX:2: Sonata II "Fürwahr, ich sag' es dir" (Grave e cantabile) | Franz Joseph Haydn, Cuarteto Casals | C Minor | 0 | 5A | 77 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 103 BPM | ||
The Fairy Queen / Part 3: The Sweet Passion: O let me weep, for ever weep | Henry Purcell, Barbara Bonney, Andrew Manze, Academy of Ancient Music, Christopher Hogwood | D♭ Minor | 0 | 12A | 177 BPM | ||
Sonata In A Minor: II. Allegro | Giuseppe Tartini, Andrew Manze | A♭ Minor | 1 | 1A | 81 BPM | ||
Prelude In F Major, BWV 928 : Prelude In F Major, BWV 928 | Janos Sebestyen, Johann Sebastian Bach | F Major | 2 | 7B | 140 BPM | ||
Bach, JS: Concerto for Flute, Violin and Harpsichord in A Minor, BWV 1044: III. Alla breve | Johann Sebastian Bach, Amsterdam Baroque Orchestra, Ton Koopman, Andrew Manze, Wilbert Hazelzet | F♯ Minor | 1 | 11A | 121 BPM | ||
Cello Concerto in A major, Wq. 172: Cello Concerto in A major, Wq. 172: I. Allegro di molto | Carl Philipp Emanuel Bach, Alison McGillivray, The English Concert | A♭ Major | 1 | 4B | 120 BPM |
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