Rodion Shchedrin, Bavarian Radio Symphony Orchestra, Mariss Jansons's 'Carmen Suite (After Bizet's WD 31): II. Dance [Live]' came out on January 3, 2020. The duration of Carmen Suite (After Bizet's WD 31): II. Dance [Live] is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Carmen Suite (After Bizet's WD 31): II. Dance [Live]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Rodion Shchedrin: Carmen Suite – Respighi: Pini di Roma (Live)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. The popularity of Carmen Suite (After Bizet's WD 31): II. Dance [Live] is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Carmen Suite (After Bizet's WD 31): II. Dance [Live] by Rodion Shchedrin, Bavarian Radio Symphony Orchestra, Mariss Jansons having a BPM of 164 with a half-time of 82 BPM and a double-time of 328 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Ballet Suite (after Bizet): IV. Changing of the Guard | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | G Major | 0 | 9B | 114 BPM | ||
Cinderella-Suite Nr. 1, Op. 107: III. Quarrel | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Minor | 2 | 7A | 77 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
In Imitation of Albeniz (Arr. for String Orchestra and Percussion) | Rodion Shchedrin, I Musici de Montréal, Yuli Turovsky | D♭ Major | 1 | 3B | 115 BPM | ||
Diary - Seven Pieces for Piano: 5. Lento, sempre poco rubato | Rodion Shchedrin, Anna Gourari | C Major | 0 | 8B | 57 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): V. Danse finale | Alexander Borodin, Anima Eterna, Jos Van Immerseel | D Major | 2 | 10B | 104 BPM | ||
Carmen (Bizet) - Fantasie brillante | Jenő Hubay, Gil Shaham, Akira Eguchi | D Major | 2 | 10B | 114 BPM | ||
Violin Concerto, Op. 48: I. Allegro molto e con brio | Dmitry Kabalevsky, Neeme Järvi, Royal Scottish National Orchestra, Lydia Mordkovitch | C Major | 2 | 8B | 145 BPM | ||
The Comedians - Suite, Op.26: Waltz | Dmitry Kabalevsky, Armenian Philharmonic Orchestra, Loris Tjeknavorian | D♭ Major | 1 | 3B | 163 BPM |
Section: 0.7333340644836426
End: 0.7368578910827637