Reynaldo Hahn, Alessandro Deljavan made "Le rossignol éperdu, IRH 84, Pt. 1: XI. Chanson de midi" available on January 1, 2023. With Le rossignol éperdu, IRH 84, Pt. 1: XI. Chanson de midi being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Reynaldo Hahn, Alessandro Deljavan's "Hahn: Complete Piano Music" album is number 11 out of 118. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Le rossignol éperdu, IRH 84, Pt. 1: XI. Chanson de midi is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Le rossignol éperdu, IRH 84, Pt. 1: XI. Chanson de midi by Reynaldo Hahn, Alessandro Deljavan to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No.8 In C Minor, Op.13 -"Pathétique": 2. Adagio cantabile | Ludwig van Beethoven, Daniel Barenboim | A♭ Major | 0 | 4B | 97 BPM | ||
Poème de Théophile de Viau: À Chloris | Reynaldo Hahn, Marie-Nicole Lemieux | E♭ Major | 1 | 5B | 59 BPM | ||
Dreaming, Op. 15 No. 3 | Amy Beach, Ambache | F Major | 0 | 7B | 75 BPM | ||
3 Romances sans paroles, Op. 17: Romance No. 1 in A-Flat Major - Andante quasi allegretto | Gabriel Fauré, Lucas Debargue | B♭ Minor | 0 | 3A | 77 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
Schumann, Clara: Piano Concerto No. 1 in A Minor, Op. 7: II. Romanze (Andante non troppo con grazia) | Clara Schumann, Beatrice Rana, Chamber Orchestra of Europe, Yannick Nézet-Séguin | A♭ Major | 0 | 4B | 100 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Piano Concerto in A Minor, Op. 16: II. Adagio - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | D♭ Major | 0 | 3B | 86 BPM | ||
Suite española No. 1, Op. 47: Granada (Serenata) | Isaac Albéniz, Alicia de Larrocha | F Major | 0 | 7B | 63 BPM |
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