"Nenia sulla morte d'un giovane, Op. 18, No. 1" by Fartein Valen, Stavanger Symphony Orchestra, Christian Eggen was released on August 1, 2008. With this song being about 5 minutes long, at 5:04, "Nenia sulla morte d'un giovane, Op. 18, No. 1" by Fartein Valen, Stavanger Symphony Orchestra, Christian Eggen is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Valen, F.: Orchestral Music, Vol. 2 - Symphonies Nos. 2 and 3 / Epithalamion by Fartein Valen, Christian Eggen. The song's track number on the album is #1 out of 11 tracks. Based on our statistics, Nenia sulla morte d'un giovane, Op. 18, No. 1's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Nenia sulla morte d'un giovane, Op. 18, No. 1 by Fartein Valen, Stavanger Symphony Orchestra, Christian Eggen has a tempo of 138 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Nenia sulla morte d'un giovane, Op. 18, No. 1 being at 138 BPM, the half-time would be 69 BPM with a double-time of 276 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Velkomne med æra | Geirr Tveitt, Trad., Det Norske Jentekor, Anne Karin Sundal-Ask | F♯ Minor | 0 | 11A | 71 BPM | ||
Locus iste, WAB 23 | Anton Bruckner, Peter Dijkstra, Bavarian Radio Chorus | C Major | 0 | 8B | 127 BPM | ||
Go down Moses | Negrasálmur, Gradualekór Langholtskirkju | F Major | 3 | 7B | 142 BPM | ||
Dialogues des Carmélites, FP 159: Ave Maria | Francis Poulenc, Cantus Juvenum Karlsruhe, Carsten Wiebusch, Peter Gortner | B Minor | 2 | 10A | 115 BPM | ||
Mass for Double Choir: Sanctus | Frank Martin, Mikaeli Chamber Choir, Anders Eby | D Major | 1 | 10B | 130 BPM | ||
Pie Jesu, pastor alme | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | G Minor | 2 | 6A | 80 BPM | ||
Fäbodpsalm från Torsång | Bengt Granstam, Gotthard Arner | B Minor | 0 | 10A | 128 BPM | ||
Fartein Valen: String Quartet no. 1, op. 10 II. Adagio | Fartein Valen, Hansakvartetten | E Minor | 1 | 9A | 91 BPM | ||
Sea Drift | Samuel Coleridge-Taylor, The Choir of King's College London, Joseph Fort | C Major | 1 | 8B | 78 BPM | ||
Fartein Valen: String Quartet, op. 0 II. Scherzo (Allegro molto vivace) | Fartein Valen, Hansakvartetten | F Major | 1 | 7B | 135 BPM |
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