"Velkomne med æra" by Geirr Tveitt, Trad., Det Norske Jentekor, Anne Karin Sundal-Ask was released on November 22, 2017. The duration of Velkomne med æra is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Velkomne med æra's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 15 in Folketoner by Det Norske Jentekor, Anne Karin Sundal-Ask. Going off of the ISRC code of this track, we detected that the origin of this track is from Norway. Velkomne med æra is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Velkomne med æra by Geirr Tveitt, Trad., Det Norske Jentekor, Anne Karin Sundal-Ask is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
100 Folk-tunes from Hardanger, Op. 151: Suite No. 1: No. 9: Langeleiklat (Langeleik Tune) | Geirr Tveitt, Royal Scottish National Orchestra, Bjarte Engeset | E Major | 0 | 12B | 83 BPM | ||
ABRÉGÉ - folk suite for nyckelharpa and string orchestra, II. Årepolska | Emilia Amper, Johannes Leonard Rusten, Trad., Per Danielsson, TrondheimSolistene, Øyvind Gimse | E Minor | 2 | 9A | 143 BPM | ||
Come In And Stay A While | Chorus Lin & Anna-Carin Strand | D♭ Major | 1 | 3B | 116 BPM | ||
Dialogues des Carmélites, FP 159: Ave Maria | Francis Poulenc, Cantus Juvenum Karlsruhe, Carsten Wiebusch, Peter Gortner | B Minor | 2 | 10A | 115 BPM | ||
Sven Erik Bäck: Våren | Sven-Erik Back, Uranienborg Vokalensemble, Elisabeth Holte | G Major | 0 | 9B | 87 BPM | ||
Sommarpsalm, "En vanlig gronskas rika drakt" | OPQ Youth Choir, Ulf Samuelsson | B♭ Major | 2 | 6B | 84 BPM | ||
Why the Caged Bird Sings | Phoenix Chamber Choir, Jake Runestad, Leanne Dalton, Graeme Langager | B Major | 0 | 1B | 137 BPM | ||
In Winter's House | Joanna Marsh, Owain Park, The Gesualdo Six | B♭ Major | 1 | 6B | 100 BPM | ||
Enigma Variations. Nimrod: Lux Aeterna | Edward Elgar, London Choral Sinfonia | E Major | 1 | 12B | 87 BPM | ||
Domine ad adjuvandum | Jacobus Gallus, Pro Musica, Szabó Dénes | E♭ Major | 1 | 5B | 136 BPM |
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