Handel, Honor Sheppard, Alfred Deller, Oriana Concert Choir, Max Worthley, Maurice Bevan, Oriana Concert Orchestra made "Alexander's Feast, Ode for St. Cecilia's Day, HWV75: Part 1: Accompanied recitative: The song began from Jove" available on February 19, 2013. With Alexander's Feast, Ode for St. Cecilia's Day, HWV75: Part 1: Accompanied recitative: The song began from Jove being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 24 out of 302 in Big Handel Box by Handel, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Alexander's Feast, Ode for St. Cecilia's Day, HWV75: Part 1: Accompanied recitative: The song began from Jove is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Alexander's Feast, Ode for St. Cecilia's Day, HWV75: Part 1: Accompanied recitative: The song began from Jove by Handel, Honor Sheppard, Alfred Deller, Oriana Concert Choir, Max Worthley, Maurice Bevan, Oriana Concert Orchestra is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Handel: Water Music Suite #3 in G, HWV 350 - Andante II | Handel, Budapest Strings Wind Ensemble | D Major | 1 | 10B | 103 BPM | ||
Concerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 1 | 7A | 61 BPM | ||
Souvenir de Florence, Op. 70 | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Borodin Quartet, Genrikh Talalyan | D Minor | 3 | 7A | 136 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Act I - Chorus "For Zion, Lamentation Make" | Handel, Heather Harper, Helen Watts, Alexander Young, John Shirley-Quirk, ECO/Somary | C Minor | 2 | 5A | 79 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Armide: Overture | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | B♭ Major | 1 | 6B | 70 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Barcarolle | London Philharmonic Orchestra | D Major | 1 | 10B | 80 BPM | ||
Brandenburg Concerto No. 3 in G major, BWV 1048: Allegro | Rudolf Baumgartner | G Major | 6 | 9B | 122 BPM | ||
Concerto 5 in A Minor, Op. 7: I. Vivace | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 124 BPM |
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