"The Big Sleep: Love Themes" by Charles Gerhardt was released on 1974. The duration of The Big Sleep: Love Themes is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. The Big Sleep: Love Themes's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 12 in Classic Film Scores: Casablanca by Charles Gerhardt. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The Big Sleep: Love Themes is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Big Sleep: Love Themes by Charles Gerhardt is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Op. 66 - Panorama - Remastered 2024 | Tchaïkovsky, Bavarian Symphony Orchestra | D Major | 4 | 10B | 91 BPM | ||
Nora's Theme (From "Of Human Bondage") | Charles Gerhardt, Grover Helsley | D Major | 3 | 10B | 105 BPM | ||
Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
Rodeo: 4 Dance Episodes: No. 4. Hoe-Down | Aaron Copland, Buffalo Philharmonic Orchestra | G Major | 3 | 9B | 125 BPM | ||
Toccata & Fugue in D Minor, BWV 565 | Johann Sebastian Bach, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 2 | 7A | 93 BPM | ||
Raymonda, Act III: Variation for male dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 0 | 4B | 61 BPM | ||
Suite: A-Roving | John Rutter, Royal Ballet Sinfonia, David Lloyd-Jones | D Major | 1 | 10B | 144 BPM | ||
String Quartet No. 2 in D Major: III. Notturno: Andante | Alexander Borodin, Budapest Haydn Quartet | A Major | 1 | 11B | 89 BPM | ||
Overture (From "Captain Blood") | Charles Gerhardt | B♭ Major | 5 | 6B | 65 BPM | ||
Pelléas et Mélisande, Op. 80: 4. Sicilienne | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM |
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