Gérard Caussé, Ami Flammer, Silvia Marcovici's 'Terzetto in C Major for Two Violins and Viola, Op. 74, B. 148: I. Introduzione: Allegro ma non troppo' came out on December 13, 2011. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 25 in the song's album "The Best Romantic Era Violin Music". In this album, this song's track order is #19. In terms of popularity, Terzetto in C Major for Two Violins and Viola, Op. 74, B. 148: I. Introduzione: Allegro ma non troppo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Terzetto in C Major for Two Violins and Viola, Op. 74, B. 148: I. Introduzione: Allegro ma non troppo by Gérard Caussé, Ami Flammer, Silvia Marcovici having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bloch: Suite for Viola and Orchestra: II. Allegro ironico | Ernest Bloch, Gérard Caussé, Lior Shambadal, Orchestre de la Suisse Romande | G Major | 1 | 9B | 176 BPM | ||
Suite hébraïque pour alto et orchestre: II. Processional. Andante con moto | Ernest Bloch, Gérard Caussé, Lior Shambadal, Orchestre de la Suisse Romande | A Minor | 2 | 8A | 145 BPM | ||
Bach, JS / Transcr. Caussé for Viola: Cello Suite No. 2 in D Minor, BWV 1008: VI. Gigue | Johann Sebastian Bach, Gérard Caussé | C Minor | 1 | 5A | 116 BPM | ||
Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): II. Adagio | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Minor | 2 | 8A | 108 BPM | ||
Symphony in D Major, Op. 3, No. 2: II. Andantino | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 0 | 9B | 113 BPM | ||
Le tombeau de Couperin, M. 68: III. Menuet | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | G Major | 0 | 9B | 84 BPM | ||
Violin Sonata No. 3 in C Minor, Op. 45: III. Allegro animato | Edvard Grieg, Frederic Chiu, Pierre Amoyal | D Minor | 2 | 7A | 148 BPM | ||
Cello Concertino No. 2 in G Major, Op. 41: II. Andante | Julius Klengel, Martin Rummel, Mari Kato | B Minor | 1 | 10A | 88 BPM | ||
Prokofiev: Violin Concerto No. 2 in G Minor, Op. 63: II. Andante assai | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM |
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