Atalanta - / Act 1: Care selve
George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket
Renée Fleming - Handel Arias
2:50 January 1, 2004
BPM
84
Key
A♭ Major
Camelot
4B

Embed

Share Link

Atalanta - / Act 1: Care selve - George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket Information

Acousticness
98%
Danceability
27%
Energy
18%
Instrumentalness
4%
Liveness
18%
Loudness
67%
Speechiness
5%
Valence
6%
Popularity
Loudness
-19.831 dB

Summary

"Atalanta - / Act 1: Care selve" by George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket was released on January 1, 2004. The duration of Atalanta - / Act 1: Care selve is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Atalanta - / Act 1: Care selve's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Renée Fleming - Handel Arias". In this album, this song's track order is #17. Atalanta - / Act 1: Care selve is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Atalanta - / Act 1: Care selve BPM

With Atalanta - / Act 1: Care selve by George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Atalanta - / Act 1: Care selve Key

This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro by Tomaso Albinoni, I MusiciConcerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. AllegroTomaso Albinoni, I MusiciB♭ Major26B107 BPM
Chiome d'oro, SV 143 by Claudio Monteverdi, Sonia Wieder-AthertonChiome d'oro, SV 143Claudio Monteverdi, Sonia Wieder-AthertonC Major18B119 BPM
Handel: Organ Concerto in F Major, Op. 4 No. 4, HWV 292: II. Andante by George Frideric Handel, Valda Aveling, Menuhin Festival Orchestra, Simon Preston, Yehudi MenuhinHandel: Organ Concerto in F Major, Op. 4 No. 4, HWV 292: II. AndanteGeorge Frideric Handel, Valda Aveling, Menuhin Festival Orchestra, Simon Preston, Yehudi MenuhinA Major111B118 BPM
Bach, J.S.: Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai by Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of EnlightenmentBach, J.S.: Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assaiJohann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of EnlightenmentE Major312B109 BPM
Armide: Overture by Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan BrownArmide: OvertureJean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan BrownB♭ Major16B70 BPM
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) by Tomaso Albinoni, Anthony Camden, London Virtuosi, John GeorgiadisOboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo)Tomaso Albinoni, Anthony Camden, London Virtuosi, John GeorgiadisA Minor18A79 BPM
Rinaldo: Aria: Sorte amor vuol che quest’alma by George Frideric Handel, Giacomo Rossi, Aaron Hill, Filippo Mineccia, I musici del Gran Principe, Samuele LastrucciRinaldo: Aria: Sorte amor vuol che quest’almaGeorge Frideric Handel, Giacomo Rossi, Aaron Hill, Filippo Mineccia, I musici del Gran Principe, Samuele LastrucciD♭ Major43B121 BPM
Water Music Suite No.1 In F, HWV 348: 5. Air by George Frideric Handel, The English Concert, Trevor PinnockWater Music Suite No.1 In F, HWV 348: 5. AirGeorge Frideric Handel, The English Concert, Trevor PinnockE Major112B75 BPM
Le Bourgeois Gentilhomme - Comédie-Ballet, LWV 43: Ouverture by Jean-Baptiste Lully, Gustav Leonhardt, La Petite BandeLe Bourgeois Gentilhomme - Comédie-Ballet, LWV 43: OuvertureJean-Baptiste Lully, Gustav Leonhardt, La Petite BandeF♯ Minor111A106 BPM
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio by Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachConcerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero AdagioCologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachC Minor25A176 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.748436450958252

End: 0.753664493560791