"Concertino for Timpani, Percussion and Strings: I. Entrata" by Andrzej Panufnik, Michael Oberaigner, Christian Löffler, Berlin Konzerthaus Orchestra, Łukasz Borowicz was released on July 30, 2013. The duration of Concertino for Timpani, Percussion and Strings: I. Entrata is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Concertino for Timpani, Percussion and Strings: I. Entrata's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Panufnik: Symphonic Works, Vol. 6". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Concertino for Timpani, Percussion and Strings: I. Entrata is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concertino for Timpani, Percussion and Strings: I. Entrata by Andrzej Panufnik, Michael Oberaigner, Christian Löffler, Berlin Konzerthaus Orchestra, Łukasz Borowicz having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rhapsody, Concerto for Orchestra (2021 Version): II. Airs and Rhapsodies | Margaret Brouwer, ORF Vienna Radio Symphony Orchestra, Marin Alsop | A Major | 2 | 11B | 105 BPM | ||
Twilight Lullaby | Sonic Piano Music | A Minor | 0 | 8A | 79 BPM | ||
Sinfonia mistica, "Symphony No. 6": I. Molto andante | Andrzej Panufnik, Polish Radio Symphony Orchestra, Łukasz Borowicz | F Minor | 0 | 4A | 136 BPM | ||
The Bloody Man Steps into the Abyss | Nexhagus | E♭ Major | 0 | 5B | 59 BPM | ||
Como en las Grandes Citas | Asklepios | A Minor | 4 | 8A | 90 BPM | ||
Consolation | Christian Lindberg, Símon Bolívar Symphony Orchestra | B♭ Major | 8 | 6B | 133 BPM | ||
Excerpts from Dreigroschenoper: Zuhälterballade II | Kurt Weill, Christian Lindberg, Prince of Denmark Air Force Band | E Minor | 1 | 9A | 134 BPM | ||
Petrushka, K12 (1947 Version): IVj. Apparition of Petrushka's Ghost | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
Bartók: Romanian Folk Dances, Sz. 56: No. 3, In One Spot (Transcr. Strauss & Rizikov for Cello and Piano) | Béla Bartók, Lisa Strauss, Anastasia Rizikov | F Major | 0 | 7B | 97 BPM | ||
Alcazaba II | Christian Lindberg, Pacho Flores, Swedish Chamber Orchestra | D Minor | 0 | 7A | 75 BPM |
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