Rocco Greco, Les Basses Réunies, Bruno Cocset's 'Sinfonia Viggesima seconda a due viole' came out on March 8, 2024. The duration of Sinfonia Viggesima seconda a due viole is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Sinfonia Viggesima seconda a due viole's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Bruno Cocset, Les Basses Réunies's "La Nascita del Violoncello: Napoli - Bologna - Modena" album is number 8 out of 69. On top of that, France appears to be the country where this track was created. In terms of popularity, Sinfonia Viggesima seconda a due viole is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Sinfonia Viggesima seconda a due viole by Rocco Greco, Les Basses Réunies, Bruno Cocset to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mori, mi dici (I) | Alessandro Scarlatti, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM | ||
Sacerdos dei: I. Gregorian Responsorium | Rocco Greco, Malagoli Matteo, Ruvo Irene De, Schola Gregoriana Scivias Ensemble, Fullin Milli | F♯ Major | 1 | 2B | 84 BPM | ||
Sonata No. 17 for Three Cellos in G Minor: I. Adagio affettuoso | Ermenegildo Del Cinque, Ludovico Minasi, Cristina Vidoni, Teodoro Baù, Simone Vallerotonda, Andrea Buccarella | B Major | 2 | 1B | 98 BPM | ||
32 courantes: No. 10, L'immortelle in D Minor | Ennemond Gaultier, Rolf Lislevand | D♭ Minor | 1 | 12A | 129 BPM | ||
Recueil de plusieurs belles pièces de simphonies: Bransle de Mr de Luly / Bransle guay / Bransle à mener | Jean-Baptiste Lully, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
Hamburg Symphony No. 3 in C Major, Wq. 182: I. Allegro assai | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Allemanda ad imitatione d'un tartaglia | Nicola Matteis, Gli Incogniti, Amandine Beyer | A♭ Minor | 3 | 1A | 99 BPM | ||
Partita for Violin and Lute in G Minor, BWV 997r: III. Sarabande | Johann Sebastian Bach, Combattimento | G Minor | 1 | 6A | 88 BPM | ||
Sonata da camera in G Minor, "O Haupt voll Blut und Wunden": III. Adagio | Johann Gottlieb Janitsch, Il Gardellino | E Major | 1 | 12B | 101 BPM | ||
Sonata in D Major for cello and basso: I. Andante | Franz Benda, Octavie Dostaler-Lalonde, Artem Belogurov, Victor Garcia Garcia | D♭ Major | 0 | 3B | 96 BPM |
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