Joseph Haydn, Heidelberg Symphony Orchestra, Thomas Fey made "Symphony No. 7 in C Major, Hob. I:7 "Le midi: III. Menuetto" available on February 3, 2017. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Joseph Haydn, Heidelberg Symphony Orchestra, Thomas Fey, Benjamin Spillner's "Haydn: Complete Symphonies, Vol. 23" album is number 7 out of 24. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Symphony No. 7 in C Major, Hob. I:7 "Le midi: III. Menuetto's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Symphony No. 7 in C Major, Hob. I:7 "Le midi: III. Menuetto by Joseph Haydn, Heidelberg Symphony Orchestra, Thomas Fey to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hungarian Dance No.3 In F Major, WoO 1 | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 77 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: I. Vivace | Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra | D Minor | 3 | 7A | 179 BPM | ||
Piano Concerto in A Minor, Op. 7: Romanze: Andante non troppo con grazia | Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi | G Minor | 7 | 6A | 100 BPM | ||
Vivaldi: Flute Concerto in D Major, Op. 10 No. 3, RV 428 "Il gardellino": I. Allegro | Antonio Vivaldi, Emmanuel Pahud, Australian Chamber Orchestra, Richard Tognetti | D Major | 1 | 10B | 118 BPM | ||
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Kyrie | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | B♭ Major | 2 | 6B | 99 BPM | ||
Te Deum In C Major - Hob. XXIIIc:2: "Te ergo quaesumus" Adagio | Franz Joseph Haydn, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir | C Major | 0 | 8B | 70 BPM | ||
Concerto No. 4 in G major, BWV 1049: II. Andante | Johann Sebastian Bach, Freiburger Barockorchester | D Minor | 0 | 7A | 135 BPM | ||
Serenade in C Major, Op. 48: IV. Finale (Tema Russo) | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 3 | 9B | 146 BPM | ||
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": III. Menuetto. Allegro molto - Trio | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 1 | 9B | 142 BPM |
Section: 0.6602849960327148
End: 0.6650230884552002