Antonín Dvořák, Staatsphilharmonie Rheinland-Pfalz, Leif Segerstam made "Slavonic Dances, Series 2, Op. 72, B. 147: Slavonic Dance No. 15 in C Major, Op. 72, No. 7" available on January 31, 1988. The duration of Slavonic Dances, Series 2, Op. 72, B. 147: Slavonic Dance No. 15 in C Major, Op. 72, No. 7 is about 3 minutes long, at 3:20. Based on our data, "Slavonic Dances, Series 2, Op. 72, B. 147: Slavonic Dance No. 15 in C Major, Op. 72, No. 7" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 15 out of 16 in Dvorak: Slavonic Dances, Op. 46 & 72 by Antonín Dvořák, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam, Staatsphilharmonie Rheinland-Pfalz. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Slavonic Dances, Series 2, Op. 72, B. 147: Slavonic Dance No. 15 in C Major, Op. 72, No. 7 is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Slavonic Dances, Series 2, Op. 72, B. 147: Slavonic Dance No. 15 in C Major, Op. 72, No. 7 by Antonín Dvořák, Staatsphilharmonie Rheinland-Pfalz, Leif Segerstam is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
13 Pieces, Op. 76: No. 2. Etude | Jean Sibelius, Olli Mustonen | G Major | 1 | 9B | 92 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Tahiti Trot, Op. 16 (orchestral transcription of Youmans' Tea for Two): Taiti Trot (Tahiti Trot), Op. 16 (arr. of V. Youmans - Tea for Two) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A♭ Major | 1 | 4B | 138 BPM | ||
Mephisto Waltz No. 1, S. 514 | Franz Liszt, Khatia Buniatishvili | E Major | 2 | 12B | 132 BPM | ||
4 Pieces, Op. 51: 1. Fragilité | Alexander Scriabin, Evgeny Kissin | E♭ Major | 0 | 5B | 69 BPM | ||
Symphonie fantastique, Op. 14, H. 48: II. Un bal: Allegro non troppo | Hector Berlioz, Slovak Radio Symphony Orchestra, Pinchas Steinberg | C Major | 1 | 8B | 118 BPM | ||
8 Humoresques, Op. 101, B. 187: No. 7. Poco lento e grazioso in G-Flat Major (arr. for violin and piano) | Anonymous, Antonín Dvořák, Takako Nishizaki, Terence Dennis | D Major | 1 | 10B | 105 BPM | ||
Cello Concerto in B Minor, Op. 104, B. 191: III. Finale (Allegro moderato) | Antonín Dvořák, Mischa Maisky, Tabea Zimmermann, Berliner Philharmoniker, Zubin Mehta | B Minor | 1 | 10A | 114 BPM | ||
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM |
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