Arthur Sullivan, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash's '9. Comes a train of little ladies' had a release date set for January 1, 1973. The duration of This song is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. 9. Comes a train of little ladies's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, Royal Philharmonic Orchestra, Royston Nash's "Gilbert & Sullivan: The Mikado" album is number 10 out of 37. The popularity of 9. Comes a train of little ladies is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 9. Comes a train of little ladies by Arthur Sullivan, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash to be Vivace (lively and fast) because the track has a tempo of 163 BPM, a half-time of 82BPM, and a double-time of 326 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Mikado: The Flowers That Bloom In the Spring | Bonaventura Bottone, Eric Idle, Lesley Garrett, Richard van Allan | E♭ Major | 2 | 5B | 109 BPM | ||
I'm Called Little Buttercup (from "H.M.S. Pinafore") | William Schwenck Gilbert, Arthur Sullivan, Jean Allister, James Walker, Royal Philharmonic Orchestra | F Major | 7 | 7B | 168 BPM | ||
Gounod : Faust : Act 1 "Ah! Paresseuse fille" [Faust, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | A Major | 0 | 11B | 113 BPM | ||
Can't help lovin' dat man | Jerome Kern, John McGlinn/Ambrosian Chorus/London Sinfonietta/Frederica von Stade/Teresa Stratas/Karla Burns/Bruce Hubbard, John McGlinn, London Sinfonietta | E♭ Major | 2 | 5B | 131 BPM | ||
The Merry Widow, Act II: Vilja-Lied | Franz Lehár, Viktor Léon, Leo Stein, Adrian Ross, Vladimir Karmirski, Melbourne Symphony Orchestra, Yvonne Kenny | G Major | 2 | 9B | 80 BPM | ||
Don Giovanni, K.527 / Act 1: "Batti, batti, o bel Masetto" | Wolfgang Amadeus Mozart, Cecilia Bartoli, Franz Bartolomey, Vienna Chamber Orchestra, György Fischer | D♭ Major | 2 | 3B | 74 BPM | ||
The Mikado: Three Little Maids from School Are We | Deborah Rees, Thora Ker, Yvonne Patrick | A♭ Major | 0 | 4B | 89 BPM | ||
Let It Go - From "Frozen" | Royal Philharmonic Orchestra, Christian Li | A♭ Major | 2 | 4B | 137 BPM | ||
Il barbiere di Siviglia / Act 1: Una voce poco fa | Gioachino Rossini, Kathleen Battle, Chamber Orchestra of Europe, Claudio Abbado | E Major | 0 | 12B | 113 BPM | ||
The Pirates of Penzance: With Cat-Like Tread | Simon Masterson Smith | C Major | 1 | 8B | 59 BPM |