Richard Wagner, Max Lorenz, Hermann Uhde, Gustav Neidlinger, Josef Greindl, Astrid Varnay, Martha Mödl, Ruth Siewert, Melanie Bugarinovich, Erika Zimmermann, Hanna Ludwig, Hertha Töpper, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Joseph Keilberth's 'Götterdämmerung, WWV 86D: Act III. Orchestervorspiel' came out on May 1, 2015. The duration of Götterdämmerung, WWV 86D: Act III. Orchestervorspiel is about 3 minutes long, at 3:04. Based on our data, "Götterdämmerung, WWV 86D: Act III. Orchestervorspiel" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wagner: Götterdämmerung by Richard Wagner, Joseph Keilberth. The song's track number on the album is #1 out of 66 tracks. Based on our data, United States was the country where this track was produced or recorded. Götterdämmerung, WWV 86D: Act III. Orchestervorspiel is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Götterdämmerung, WWV 86D: Act III. Orchestervorspiel by Richard Wagner, Max Lorenz, Hermann Uhde, Gustav Neidlinger, Josef Greindl, Astrid Varnay, Martha Mödl, Ruth Siewert, Melanie Bugarinovich, Erika Zimmermann, Hanna Ludwig, Hertha Töpper, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Joseph Keilberth has a tempo of 75 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Götterdämmerung, WWV 86D: Act III. Orchestervorspiel being at 75 BPM, the half-time would be 38 BPM with a double-time of 150 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio | Ludwig van Beethoven, Berliner Philharmoniker, Kirill Petrenko | A Major | 4 | 11B | 80 BPM | ||
Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster): Overture | Wolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch, Orchester der Bayerischen Staatsoper München | E♭ Major | 1 | 5B | 80 BPM | ||
Tristan und Isolde, WWV 90 / Act 2: "Rette dich, Tristan!" | Richard Wagner, Wolfgang Windgassen, Claude Heater, Eberhard Waechter, Bayreuth Festival Orchestra, Karl Böhm | F♯ Minor | 2 | 11A | 89 BPM | ||
Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato - Più allegro | Johannes Brahms, Wiener Philharmoniker, Carlos Kleiber | F♯ Major | 7 | 2B | 129 BPM | ||
Capriccio espagnol, Op. 34: II. Variations | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 92 BPM | ||
I vespri siciliani: Overture | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | E Major | 2 | 12B | 77 BPM | ||
Siegfried, WWV 86C, Act I: Prelude | Richard Wagner, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | C Major | 3 | 8B | 65 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.3 in A Flat Major (Poco allegro) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | A♭ Major | 1 | 4B | 98 BPM | ||
Symphony No.3 In D Minor / Part 2: 6.- Langsam. Tempo I - Live | Gustav Mahler, New York Philharmonic, Leonard Bernstein | D Major | 0 | 10B | 111 BPM | ||
Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A Major | 4 | 11B | 75 BPM |
Section: 0.6941266059875488
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